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A young girl suffering from amnesia after surviving a house fire that takes her childhood friend’s life, begins a tormented road to recovery.
Having failed to get into the police force, Margarete takes up training as a security guard. One night she runs into a sexually agressive ex-colleague who insists on hailing a taxi to take her home to his place. Enter Tiger: short brown hair, a tough girl and a fighter, the cab driver. Realising that the situation is far from consensual, Tiger speeds off with Margarete, leaving her companion standing in the street. It won’t be the last time she rushes to Margarete’s aid. Tiger lives in an attic flat with two men. She knows how to wield a baseball bat. Stealing a uniform from security and renaming Margarete ‘Vanilla’, she begins to steer her life in a completely different direction.
An Irish lad (Matt Keeslar) who fled from his oppressive, widowed father (Albert Finney) falls for a girl (Victoria Smurfit) from an affluent family.
An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.
When her family goes bankrupt, privileged city girl Jen Stone travels to the country to try and fix up a struggling pumpkin farm that her father bought as an investment to get her money back. Not everyone is on board with her changes, least of all Brett, the farm’s handsome manager. By working with what she knows best, she discovers the magic of pumpkin skincare and turns the struggling farm around while also falling in love.
A ruthless corporate raider is forced to return to his small town roots where he suddenly inherits his father’s nearly bankrupt pencil factory, which is the heart and soul of the depressed community. With the foreclosure deadline looming, he must decide to either let it close, or join the community’s fight to save it.
Seven people with seven love stories. They ignite the love and hate hidden under the table. In this battle of love, who will survive and who will lose? When the boundary between lies and truth has blurred, who can tell if the others are sincere or not? When one says, ‘ I love you’, does one mean it or it’s just another ‘design’?
A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to the criminals. Quickly, however, the relationships between the criminal, the wife, and the Englishman begin to shift in humorous and bizarre fashion.