Not Available
You May Also Like
Focuses on two subjects in particular: Rob Niosi, who has spent many years building a full-scale replica of the prop from the 1960 film The Time Machine, and physicist Ronald L. Mallett, who has dedicated his life to researching the scientific possibility of time travel.
Continually smiling or laughing, this man, a self-acknowledged Nazi, proudly reveals that he went to the Congo to save Western civilization from Bolshevism — to complete the work of the Nazis. Dressed in his military jungle uniform (with his Second World War decorations) he waxes eloquent about the “colors” of South Africa, “explains” apartheid, and freely discusses his “adventures”. Shots of corpses, tortures, and executions of Blacks are intercut. It is not often that one can see and hear a real, “live” Nazi in action, talking (more or less) freely because he presumed him-self to be among friends instead of with two of the most cleverpolitical propagandists of our time, working for the other side.
Part live stand-up performance, part documentary, this film is one of comedian Richard Pryor’s later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows.
What happens when a machine makes life-or-death decisions? This documentary explores the dangers of artificial intelligence in military application.
She Makes Comics traces the fascinating history of women in the comics industry. Despite popular assumptions about the comics world, women have been writing, drawing, and reading comics since the medium’s beginnings in the late 19th century. And today, there are scores of women involved in comics and its vibrant fan culture. Featuring dozens of interviews with such vital figures as Ramona Fradon, Trina Robbins, Joyce Farmer, Karen Berger, Kelly Sue DeConnick, and Becky Cloonan, She Makes Comics is the first film to bring together the most influential women of the comics world.
Fireboys is the untold story of young men incarcerated in California who are offered a way out: by fighting wildfires. Immersive and personal, this coming-of-age story examines a correctional path that is both hopeful and destructive.
An ex gang member’s love for pigs spurs him on a life-risking mission to uncover the truth behind ‘bacon’. Director and Activist Joey Carbstrong goes undercover with fellow activists to infiltrate and expose the deeply ingrained corruption and heartbreaking abuse that lies at the heart of the UK’s ‘pork industry’
A continuation of the documentary spoof of what Thor and his roommate Darryl were up to during the events of “Captain America: Civil War”. While Cap and Iron Man duke it out, Thor tries to pay Darryl his rent in Asgardian coins.
Forced onto the streets in her 50s, Mimi found “home” at a Santa Monica laundromat. Taking shelter there for 20 years, Mimi’s passion for pink, and living without looking back, has taken her from homelessness to Hollywood’s red carpets. This is the fascinating and moving story of one incredibly strong woman’ s survival against all odds.
Circumcision is the most common surgery in America, yet America is the only industrialized country in the world to routinely practice non-religious infant circumcision. Why does America continue to cut the genitals of it’s newborn baby males when the rest of the world does not?
Marc Emery, Canada’s most prominent marijuana activist popularly known as the “Prince of Pot,” faces extradition to the U.S. and a possible life sentence for selling marijuana seeds. “Prince of Pot” follows the controversial self-made leader of the marijuana movement as he attempts to raise an army of pot activists and lead them into battle against the U.S. Federal Government and their drug enforcement police, the D.E.A. Through Emery’s unique life and career as a civil agitator — from his beginnings in London, Ontario to his showdown with the U.S. Drug Czar in Vancouver and D.E.A. in Montreal — the film examines deeper questions: Canadian sovereignty and police integration in a world dominated by its southern neighbor. Written by Nick Wilson