Legendary performer Judy Garland arrives in London in the winter of 1968 to perform a series of sold-out concerts.
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“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux
19-year-old Billy Lynn is brought home for a victory tour after a harrowing Iraq battle. Through flashbacks the film shows what really happened to his squad – contrasting the realities of war with America’s perceptions.
In the isolation of the Catskill Mountains, a relationship retreat pushes two Brooklyn couples through a weekend of exercises that force them out of their calcified comfort zones. Removed from the routine distractions of city life and engaging in honest communication for the first time, they have the chance to rebuild their partnerships – or leave them behind.
A journalist must make a decision to flee with her two children from her abusive ex-husband or kill him before he kills her.
20 years after going MIA in Desert Storm, Aaron returns home under mysterious conditions, not having aged since his disappearance, and must reestablish relationships with loved ones before an imminent return to an ambiguous other-worldly existence.
A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city’s history, and centered on a the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. “What do you know of Africa?,” she asks, then, in anguish, shouts, “Get my husband out of jail!” The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.
British diplomat Robert Conway and a small group of civilians crash land in the Himalayas, and are rescued by the people of the mysterious, Eden-like valley of Shangri-la. Protected by the mountains from the world outside, where the clouds of World War II are gathering, Shangri-la provides a seductive escape for the world-weary Conway.
