During a solo voyage in the Indian Ocean, a veteran mariner awakes to find his vessel taking on water after a collision with a stray shipping container. With his radio and navigation equipment disabled, he sails unknowingly into a violent storm and barely escapes with his life. With any luck, the ocean currents may carry him into a shipping lane — but, with supplies dwindling and the sharks circling, the sailor is forced to face his own mortality.
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When an accidental death takes the life of a young boy, the family moves to a country home for a fresh start, only to discover there is something much worse than than their memories and guilt living in the attic.
In a society grappling with its communist past and European present, both the cultural elite and disenfranchised young men see forces of darkness descending over Europe. And then there are those who benefit from the inevitable clashes and ensuing chaos, like disgraced law student Tomek (Maciej Musiałowski) who’s desperately trying to get the attention of childhood friend Gabi (Vanessa Alexander) and the respect of her progressive family. Taking a job at a high-profile but amoral PR company to impress Gabi, Tomek soon finds that he excels at the dirty political games that he is asked to orchestrate on social media. But there’s a human price to his meddling. As Tomek gets sucked in deeper, his humanity slowly drains away, and it becomes less clear what the end game is.
While driving through the New Mexico Desert during a rainy night, the college students Jim Halsey and his girlfriend Grace Andrews give a ride to the hitchhiker John Ryder. While in their car, the stranger proves to be a psychopath threatening the young couple with a knife, but Jim succeeds to throw him out of the car on the road. On the next morning, the young couple sees John in another car.
A 16-year-old international assassin yearning for a “normal” adolescence fakes her own death and enrolls as a senior in a suburban high school. She quickly learns that being popular can be more painful than getting water-boarded.
Based on Martin McGartland’s real life story as a informant for the British Police to spy on the IRA. Taking place from 1987-1991, Martin (Jim Sturgess) works his way up the ranks of the IRA, while keeping his informant with the police Fergis (Ben Kingsley) at bay. In the process he saved numerous lives and is still in hiding from the IRA today.
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
Korea, 1950. A child’s vow to take care of his family marks the beginning of a lifelong promise spanning sixty years.
When the Postables discover an antique vase, they trace it back to three girls who attempted to sell it in to save their family farm. With the farm again facing hardship, the Postables must choose between doing what’s legal and what’s moral.
The wolves are howling once again, as a terrifying ancient evil emerges in Beacon Hills. Scott McCall, no longer a teenager yet still an Alpha, must gather new allies and reunite trusted friends to fight back against this powerful and deadly enemy.
In this award-winning comedy-drama satire about the entertainment industry, a washed-up screenwriter encounters multiple life crises when his pet cat comes to life. (Based on the 2017 short film, Howard Original).
Just as the original hobos of the early 20th century were scorned the mainstream of society, so too are today’s train riders. FREELOAD is a dive into a beggar’s existence. It is a ride through America’s backyard. It is a musical endeavor that feels like a drama. It is a sociological examination of the ignored.
