In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?
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Depressed and reeling from the recent death of his wife, Tom has built up quite a gambling debt. He goes to stay with his wealthy Aunt Florence in hopes that she will write him into her will. When a nasty creditor makes it clear that Tom is out of time, he devises a plan with Elodie, the undertaker’s daughter, to rob the graves of the rich townspeople buried in the cemetery across the road. After plundering the graves, Tom arrives back at Florence’s house and events take a dark turn. Tom begins hearing and seeing strange things that seem to coincide with the deaths of the people he robbed. Even more disconcerting… he appears to be the only one sensing the occurrences. One question lingers: Is Tom’s conscience playing a trick on him… or is he really being haunted by those he stole from?
Arnulfo Rubio smuggles weapons from Arizona to Mexico for a drug cartel, but he is being investigated by agent Harris. When agent Harris blows his covers, he and Arnulfo end up in a journey where he will be the hostage of this young criminal.
Actor Stephen Tobolowsky has acted in over 200 TV shows and films over the past 40 years, possessing one of the most dazzlingly diverse filmographies on the planet. But even more compelling than the stories he’s been apart of onscreen are those he tells offscreen. In ‘The Primary Instinct,’ Stephen plays himself and uses the art of storytelling to take the audience through a riveting and moving journey about life, love, and Hollywood. Along the way, he just may answer one of the questions that’s dogged humanity since the beginning of time: Why do we tell stories in the first place?
Key of Brown a thriller, action, drama, tells the story of one harrowing night in the life of “Bernadette Lawson” a retiring call girl, recently released from prison and serving out the remainder of her sentence on monitored house arrest. In need of cash, she can’t resist doing a, quick, one hour, five hundred dollar favor for her ex-madam but the night turns deadly when the client turns out to be a notorious serial killer of prostitutes, wanted by the F.B.I. and transporting a kilo of high quality brown heroin.
Maggie and Carsten love each other, they have two wonderful children and run their own gourmet restaurant; Malus. They want it all. And they have it all. Almost. They are missing the coveted Michelin Star. It has been their dream, on which they gambled everything to win. One day Carsten receives a letter saying that his wife loves somebody else. But who sent the letter and why? In their continuous passion and pursuit for the ultimate recognition, they forget that the meals of life are best enjoyed together.
A woman taking a cab ride from JFK engages in a conversation with the driver about the important relationships in their lives.
Angus is a large, pathetic 14 year old whose thoughts are most often filled with the image of one Melissa Lefevre. Angus is shy and thinks that he has no chance of ever ‘getting’ her. Being especially uncool, he is incredibly surprised (along with the rest of the school) that he is chosen to dance with her at the Winter Ball. The only one not surprised is the cool-kid who set him up to fail, but Angus’ best friend is going to help him win the heart of Melissa by developing a new look for him
Today, Leonor, a young teacher, flees to a small town in the mountains to try to recover from the death of her husband and the loss of the baby she was expecting. He takes refuge in the daily activity with the school children and the friendship he establishes with Miguel, a forestry agent. But the hostility of the inhabitants of the region and some visions that torment her lead her to believe that she is going crazy, as if an irresistible mysterious force led her to be related to that story of betrayal and death of seven hundred years ago. “La Loba”, a strange woman despised by all, will end up revealing the truth of that fascinating and wonderful story.
In a dystopian future where pain and emotion have been suppressed by a government-issued drug called Torpase, Joshua Barrett coasts through the monotony of his repetitive, workaday life. But when he’s kidnapped by a rebellious priest, Joshua is exposed to a world beyond Torpase, changing everything he thought he knew about what it means to live.
Finley, a talented aspiring violinist, meets Beckett, a famous young movie star, on the way to her college semester abroad program in a small coastal village in Ireland. An unexpected romance emerges as the heartthrob Beckett leads the uptight Finley on an adventurous reawakening, and she emboldens him to take charge of his future, until the pressures of his stardom get in the way.
Beautifully constructed, 1001 Nights stays true to the lush and mysterious backdrop of the well known and age old story. Tezuka remolds the story into an escapist fantasy where a 60s-era working man is transported back to an era of entirely fictitious Arabian details. Seemingly at odds with itself, 1001 Nights consistently unfolds in a way that combines Playboy graphics, Arabian rug design and traditional Japanese scroll paintings. Sound like a strange mix? You bet and along the way we experience some of the great cultural juxtapositions that makes Tezuka the unpredictable style it is. Source: MAL
Jack wants to prove to his wife Alma, that he is a new man after his drug abuse and time spend in prison. He is offered new job as a night watchman of an old mine complex, which he accepts without a question. What no one knows that the dark place holds a disturbing secret that will fill their lives with terror.
