The loss of their young daughter threatens to destroy the love and faith of two married musicians.
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Martial arts expert Matt Hunter was one of the most promising operatives in Army intelligence until his parents were killed by terrorists, and he retired to the family’s farm in Louisiana to take care of his 12-year-old sister Sara and their grandfather Jimmy. Larry Richards, a black man running for the Senate, is one of Matt’s best friends. Larry has become the target of The Pentangle, a racist organization led by a man named Glastenbury, and Glastenbury doesn’t want Larry to be elected. In an attempt on Larry’s life during a Mardi Gras parade in New Orleans, The Pentangle kills one of Larry’s sons. Matt lets Larry, his wife Daisy, and his other son move to the remotely located farm so they can hide from Glastenbury and the Pentangle, but the Pentangle strikes again, setting the farmhouse on fire. Matt and Sara escape as the only survivors. Then the Pentangle kidnaps Sara, sending Matt on a mission to rescue Sara from Glastenbury and the Pentangle
Facing expulsion from college over a misunderstanding, a bipolar student indulges his misery at a strip club where he befriends a gorgeous, intelligent, outrageous woman and they hatch a madcap scheme to prove his innocence.
Liu Yifei plays Elso, a reputed French flutist who travels from Paris to Chengdu. Her life is compared to the one of a night peacock, an eternal conflict between life and death, love and time. A night peacock, by Fabre’s definition, is a moth with the life goal of finding their soul mate.
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Alabama preacher’s daughter runs off with a touring Xian hair metal band during the summer of 1986.
After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and the unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during protest against the closure. José is bitter that his wife, Ana, is employed when he is not. The gap between them is widening and he is fearful that she will leave him for a co-worker. Despite arthritic legs, Ana endures night shifts at a fish factory and thinks her looks are now lost. Not everyone seems to agree including her boss. Lino, an aging family man doggedly pursuing positions beyond his qualifications. The oldest member of the group, Amador, has degenerated into alcoholism after being abandoned by his wife; maintaining an increasingly transparent pretense that his wife will soon return from holiday.
