A drama that follows three adults during a single day in Los Angeles, one filled with sex, drugs, and indecision.
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“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.
A struggling country singer meets a Nashville songwriter in need of inspiration. Teaming up to write a song, their work gets complicated but results in both a hit song…and true love.
Ryan a small time criminal on the run after a diamond heist gone wrong, is caught breaking into a cottage by its owner Mrs Potter; a bitter, unsociable and self isolated old lady, who has just been given a month to live. Although from very different worlds, the two realise they can help each other and agree to spend the month together; it’s a hasty decision that turns into the most extraordinary month of both their lives. A month that changes everything…
A lurid fantasy of wounded flesh and accursed lives that entwine and separate in a building run by a landlord (Simon Yam), who seeks to find a particular type of tenant for the property he inherits from his relatives. Driven by his desire of peeping into the darkest aspects of human nature, what he sees through the eyes of the omnipresent cameras ain’t pretty… but it gives him the wry, abject satisfaction of a dark god lording over and leering at the souls of the damned, his imagination hungering toward them.
Jimmy Quinn is a veteran of stand-up comedy’s glory days; he is also an alcoholic. His life changes when his son David, who he abandoned as a child, shows up at his door, professing his desire to be a stand-up comedian.
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Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.