A rich woman and a calculating insurance agent plot to kill her unsuspecting husband after he signs a double indemnity policy. Against a backdrop of distinctly Californian settings, the partners in crime plan the perfect murder to collect the insurance, which pays double if the death is accidental.
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The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.
After twenty-five years, Silva rides a horse across the desert to visit his friend, sheriff Jake. They celebrate the meeting, but the next morning, Jake tells him that reason for his trip is not to go down the memory lane of their friendship.
Although Brad has a satisfying career, a sweet wife and a comfortable life in suburban Sacramento, things aren’t quite what he imagined during his college glory days. When he accompanies his musical prodigy son on a university tour, he can’t help comparing his life with those of his four best college friends who seemingly have more wealthy and glamorous lives. But when circumstances force him to reconnect with his former friends, Brad begins to question whether he has really failed or if their lives are actually more flawed than they appear.
Two worlds collide when a wealthy hedge fund trader returns home to find squatters have occupied his country house.