Five young people wake up dead. Washed up by the tide they scramble to an abandoned beach house, soon realizing that the perpetual night and blasts of pain suggest this is some version of hell. Between in-fighting and attacks by a demonic shadow creature, they recall the collapse of the nightclub that brought them here – and begin seeing hope of a second chance in the cabin’s two mysterious paintings…
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A group of contest winners arrive at an island hotel to live out their dreams, only to find themselves trapped in nightmare scenarios.
Husband and wife, Will and Dawn, are in financial crisis after learning the job Will was counting on to salvage their financial future has disappeared in the midst of a market collapse. They set out to drive home on the winter highway back to their city, and in a moment of altruism, pick up siblings Lee and Cheryl, a pair of hitchhikers on their way to start a new life. In the midst of the night they nearly collide with an old man wandering on the snowy highway, hyperthermic and horrifically frostbitten. While searching for his ID they discover a wad of cash, a hand drawn map with GPS coordinates, and a single gold coin inside his coat. Will and Dawn reluctantly go along with Lee’s plan to report him to the police as a John Doe and pocket the money. In an attempt to save their financial struggles, all four venture off into the snowy wilderness in search of the buried gold.
To make ends meet, Tom signs on as a guinea pig at a home-based lab, but when he commits a crime he cannot remember, he must risk his own sanity to reveal the truth.
On a school trip at the local museum, class troublemaker Scott Collins experiences a bizarre psychic connection with one of its artifacts – a skull. The creepy skull allows him to for-see his grandmother’s death. Of course, nobody believes him, passing it off as one of his usual tales. But after gran dies suddenly, his younger sister, Trish, for whom he shares a mutual contempt, is stunned to learn that her brother’s premonition was true. With both parents out of work and their house on the verge of foreclosure, Scott, still affected by the powers of the skull, convinces his family to accept employment as caretakers for a large Victorian house in the countryside. When they arrive they meet the owner, Trelawney, a seemingly normal man with one exception – he has the ability to speak to Scott telepathically. Scott soon discovers that the cursed skull holds the key to both of their futures.
Rita Rizzoli is a narcotics cop with a plethora of disguises. When a drug shipment is hijacked, the thieves don’t know that the drug is unusually pure and packs of ‘Fatal Beauty’ begin turning up next to too many dead bodies. Mike works for the original owner of the drugs and tries to tell himself that since he does not handle the drugs, he is ‘clean’. Mike becomes Rita’s constant companion.
12-year-old Regan MacNeil begins to adapt an explicit new personality as strange events befall the local area of Georgetown. Her mother becomes torn between science and superstition in a desperate bid to save her daughter, and ultimately turns to her last hope: Father Damien Karras, a troubled priest who is struggling with his own faith.
Scientists make a horrible discovery: The “Big One” is coming in two days, with it, California will sink to the ocean. Their only hope is to rupture a volcano that will displace the earthquake’s energy and build a new crust on the surface. But as fore-shocks turn California into chaos, it’s a race against time the scientists might not win.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.