Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
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The year is 2085 and no human babies have been born in over a decade. A group of disparate survivors respond to a call to meet in Athens, where the film’s narrator Jo, a boy of African descent, aims to make the world’s last film.
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The comedy of the year. This wannabe magical romance-drama is one of the most illogical films ever and the actors, if not director Kam Kwok-Leung, may be aware of it. Featuring CGI tears and paintings of corn-eating monkeys. The highlight: Chang Chen pretending to be Korean.
Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda finally gives in to getting another roommate, Hailey. The two college students turn out to have something in common, however: abusive men. For Hailey, it’s her dad. For Amanda, it’s a stalkery ex-boyfriend. But problems can be solved and, you know, you scratch my back, I scratch yours. In other words, Kill for Me, I kill for you.
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Winnie, in her late twenties, certified as an old maid when she is dumped by her boyfriend and bullied by her colleagues. Koo is a rich womanizer tycoon ruthless in his business dealings. In his latest take over Koo’s action led to death threats by a former employee. For security Koo and his assistant, Ryan to switch identity. Koo as a commoner met Winnie and falls for her as she is the first true person to like him not for his riches. What happens when Winnie release Koo’s real identity?
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