Four months after the death of her husband, a woman on the brink of motherhood is tormented in her home by a strange woman who wants her unborn baby.
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Wisecracking reporter Carl Kolchak investigates a string of gruesome murders in Las Vegas. It seems that each victim has been bitten in the neck and drained of all their blood. Kolchak is sure that it is a vampire. He’s hot on the trail, but nobody believes him. His editor thinks he’s nuts and the police think he’s a hindrance in the investigation, so Kolchak takes matters into his own hand.
Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
Joe is an ugly loser, incapable of picking up women. But when he’s taught a magical power, capable of transforming him into anyone he pleases and then back to his normal self, he decides to use it to live out his perverse fantasies. Initially content just watching them shower, Joe soon tires of mindless nudity and gears up to take his ultimate revenge against womankind: luring them to his shabby apartment, violently killing, and even eating them!
Aliens with a ravenous appetite for summertime campers descend upon a campground.
Samuel Peters (Edward Furlong), once an ordinary man, dabbles in the laws of voodoo to bring his wife back from the grave. He soon encounters the God of malevolence ‘Kalfu’ (Corey Feldman), and makes a pact with him to destroy the underworld and bring chaos to earth. In return, he will become ‘The Zombie King’ and walk the earth for eternity with his late wife. But, as the ever growing horde of zombies begins to completely wipe out a countryside town, the Government set-up a perimeter around the town and employ a shoot-on-sight policy. Trapped within the town, the locals, an unlikely bunch of misfits, must fight for their lives and unite in order to survive. Can our heroes unravel the clues in time and survive or will The Zombie King and his horde of zombies rise on the night of the dark moon?
Reluctant divorcee Bill is awakened before dawn by a mysterious car horn in his normally quiet neighborhood. Unable to find the source of the honk, he ventures out into the darkness, only to face something far more disturbing.
Five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns.
In the Barrio of Oak Springs live a strong and stubborn group of elderly friends who refuse to be gentrified. Their leader, Lupita, keeps them together as a community, a family. But little did they know, their beloved Bingo hall is about to be sold to a much more powerful force than money itself.
A filmmaker discovers a box of video tapes depicting two students’ disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.
Senegalese immigrant Aisha lands a job as a nanny for a wealthy Manhattan couple. As she prepares for the arrival of the son she left behind in Senegal, a violent presence begins to invade both her dreams and her reality, threatening to destroy the American Dream she is painstakingly piecing together.
