The incredible story of genius musician Wolfgang Amadeus Mozart, told in flashback by his peer and secret rival Antonio Salieri – now confined to an insane asylum.
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Today, Leonor, a young teacher, flees to a small town in the mountains to try to recover from the death of her husband and the loss of the baby she was expecting. He takes refuge in the daily activity with the school children and the friendship he establishes with Miguel, a forestry agent. But the hostility of the inhabitants of the region and some visions that torment her lead her to believe that she is going crazy, as if an irresistible mysterious force led her to be related to that story of betrayal and death of seven hundred years ago. “La Loba”, a strange woman despised by all, will end up revealing the truth of that fascinating and wonderful story.
A personal portrait of mythical and controversial actress Ingrid Bergman based on her many home movies and diaries.
Rufus is a shy and lonely boy determined to make a new start. Sure he has some quirks. So what if he likes the taste of blood? It’s not like he’s addicted. When a cunning vampire hunter slips into town searching for the fountain of youth, Rufus fears his darkest secret is about to be revealed.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
A sister, claiming to be cursed, persuades her brother to embark on a cross country road trip to break her spell.
This Canadian made comedy/drama, set in Hamilton, Ontario in 1954, is a sweet and – at times – goofy story that becomes increasingly poignant as the minutes tick by.
It’s the fictional tale of a wayward 9th grader, Ralph (Adam Butcher), who is secretly living on his own while his widowed, hospitalized mother remains immersed in a coma. Frequently in trouble with Father Fitzpatrick (Gordon Pinsent), the principal of his all-boys, Catholic school, Ralph is considered something of a joke among peers until he decides to pull off a miracle that could save his mother, i.e., winning the Boston Marathon. Coached by a younger priest and former runner, Father Hibbert (Campbell Scott), whose cynicism has been lifted by the boy’s pure hope, Ralph applies himself to his unlikely mission, fending off naysayers and getting help along a very challenging path from sundry allies and friends.
Fueled by cheap whiskey, greed and hatred, Willie Soke teams up with his angry little sidekick, Marcus, to knock off a Chicago charity on Christmas Eve. Along for the ride is chubby and cheery Thurman Merman, a 250-pound ray of sunshine who brings out Willie’s sliver of humanity. Issues arise when the pair are joined by Willie’s horror story of a mother, who raises the bar for the gang’s ambitions, while somehow lowering the standards of criminal behavior.
Beautifully constructed, 1001 Nights stays true to the lush and mysterious backdrop of the well known and age old story. Tezuka remolds the story into an escapist fantasy where a 60s-era working man is transported back to an era of entirely fictitious Arabian details. Seemingly at odds with itself, 1001 Nights consistently unfolds in a way that combines Playboy graphics, Arabian rug design and traditional Japanese scroll paintings. Sound like a strange mix? You bet and along the way we experience some of the great cultural juxtapositions that makes Tezuka the unpredictable style it is. Source: MAL
Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an “incident”. Thinking they are at last safe, they are targeted by an experienced hit man and a psychopathic young upstart killer.
A marriage counselor’s personal and professional life becomes complicated after she enters into a relationship with one of her clients.
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.
