It’s Christmas time and the Griswolds are preparing for a family seasonal celebration, but things never run smoothly for Clark, his wife Ellen and their two kids. Clark’s continual bad luck is worsened by his obnoxious family guests, but he manages to keep going knowing that his Christmas bonus is due soon.
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Topper is once again tormented by a fun-loving spirit. This time, it’s Gail Richards, who was accidentally murdered while vacationing at the home of her wealthy friend, Ann Carrington (Landis), the intended victim. With Topper’s help, Gail sets out to find her killer with the expected zany results.
Krishna is a happy-go-lucky first year engineering student with not a care in life. He falls in love with his senior Meera who’s a do-gooder and urges him to tap into the unseen side of him. But what happens when an unforeseen incident brings a change in him that even she couldn’t predict?
In the late 1960s, C’est Si Bon is the music bar where every acoustic band’s dream lies. There Geun-tae, a naïve country boy, meets the young musical prodigies Hyung-joo and Chang-sik, and forms the band named after it — the C’est Si Bon Trio. As the three young artists bicker over their music, beautiful socialite Ja-young enters the picture and becomes their muse, and a series of moving love songs come from it. Geun-tae’s pure-heartedness wins Ja-young over but when she accepts a once-in-lifetime opportunity for a shot at an acting career, they part ways. After 20 years, the untold story of their love, song, and youth at C’est Si Bon is finally brought to light.
An aspiring disc golfer (Meg Dick) gets kicked out of the nest by her loving father (Andy Dick) who is in the middle of dealing with his own mid-life crisis. Aided by her trusted friend; scratcher addict and caddy (Natisha Anderson), she finds a sponsor, throws an ace at the disc golf championship and proves to her father that disc golf is a real sport.
The adventures and misadventures of officers Salinas and Freire, who will have to settle for their lives to be respected by their superiors.
After botching the capture of a notorious serial killer, idiosyncratic detective Michael Burrows loses his job with the San Francisco Police. He becomes an investigator for an insurance company and joins forces with a cynical field agent to probe suspicious and unusual deaths.
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Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Vivi is exhausted. Actually, she is about to become an attorney and to move in together with her boyfriend Adam, but somehow, she is stuck. She tries to flee back to her Moms couch, only to find that there is no more space for her. Vivi’s father assumes that she needs some rest and sends her to an island…
Two guys, one of them a magician, are transporting an ancient chinese vampire who can only be controlled by a series of yellow tapes, and is the ancestor of the other guy. On the way, while flying over Africa, their plane stalls. And of all places, where do they land? That’s right, in the village of the tribe of “The Gods Must Be Crazy”.