Jerry Falk, an aspiring writer in New York, falls in love at first sight with a free-spirited young woman named Amanda He has heard the phrase that life is like “anything else,” but soon he finds that life with the unpredictable Amanda isn’t like anything else at all.
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Demetri Martin brings his off-kilter take on acoustic guitar, hairless cats, color schemes, and the word “nope” to Washington in his original special.
When Ashtray (Shawn Wayans) moves to South Central L.A. to live with his father (who appears to be the same age he is) and grandmother (who likes to talk tough and smoke reefer), he falls in with his gang-banging cousin Loc Dog (Marlon Wayans), who along with the requisite pistols and Uzi carries a thermo-nuclear warhead for self-defense. Will Ashtray be able to keep living the straight life?
Mandy is a mother, a writer, a nihilist. Mandy is a modern woman in a crisis. Raising a son in the midst of a female revolution, mining the pain of her parents’ separation and professionally writing about a love that no longer exists, she falls upon a troubled man, Pete, who’s searching for a sense of worth, belonging and ‘restored’ Male identity.
With a tale of a caper gone wrong, this black comedy evokes the freewheeling émigré culture of lads short on work and cash and long on heavy boozing in the Irish lairs of Brooklyn and the Bronx. James, who has just burned his last bridge and now lacks both a job and a wife, teams up with friend Eoin on a for-hire mission to the racetrack on behalf of slippery raconteur Timmy Thomas. In a clumsy attempt at sleight of hand by a pair who wouldn’t know a winning hand if they saw one, the boys screw up royally, putting themselves under heavy obligation to a clutch of gangsters. There’s a new angle when a bold lady with a soft spot for the sound of Irish and the hots for greenbacks sets her sights on James.
A mom (Ashley Wright) moves across country to an island with her daughter (Scout Wright), they will not be expecting the challenges they will face from the man (David Wright) living next door. Through the eyes of three girls that become best friends, and how their lives will be affected forever. A wholesome family movie that will have you ready to laugh, hold your breath, and cry. Dove Approved.
Trouble erupts in a small, quiet New England town when a man’s body is found in the woods. The problem is that almost everyone in town thinks that they had something to do with his death.
A New Yorker moves to Los Angeles in order to figure out his life while he housesits for his brother, and he soon sparks with his brother’s assistant.
Down-and-out Detective Dancer, who struggling with a personal conflict, gives up on life and his job. But that all ends when he is paired up with a police dog who is also dealing with post-traumatic stress. The dog helps Dancer make a life-changing turn around. And in response, Dancer does the same for his partner, the Dame.
Gregg’s first day at his new job starts off strangely, as he discovers his cubicle is covered in a sea of Post-Its left behind by his predecessor, who he soon discovers did not leave on amicable terms. His co-workers don’t seem quite normal either, standing aimlessly or endlessly chatting nonsense on the phone or gossiping by the coffee machine. Grown men cry in this office and as Gregg tries to stay on top of his new job, fighting a toy car that runs around the office, arguing with a janitor, and trying, repeatedly, to send out an all important fax; things gradually go from bad to worse in this corporate wasteland. As day turns into night, Gregg begins to realize this is no ordinary workplace. It can be very lethal…
Katrien (Cherié van der Merwe) is dumped by her boyfriend, high school rugby star Werner (Altus Theart), so he can focus his energy on the sport. To get even, she makes a bet with her friends that she can make a star out of the school’s dorkiest boy, ‘Wimpie’ Koekemoer (Ivan Botha), by pretending to be his girlfriend. The awkward Koekemoer rises to the challenge but Katrien finds herself falling unexpectedly in love with him, until he realizes she is merely using him.
