Last Day of the Dinosaurs

Arguing With Myself, a recorded live performance of ventriloquist Jeff Dunham, portrays a comedian whose revival of an old-fashioned art has made ventriloquism more relevant to modern societal concerns. Starring his six main characters, from Bubba Jay, a Nascar-obsessed hick, to Peanut, a flamboyant gay monkey, Dunham’s puppets have dirty but relatively inoffensive senses of humor that mock the American Dream. His skills as a ventriloquist alone make him a fascinating entertainer, and anyone interested in how puppetry and ventriloquism has progressed over the decades would benefit from watching Dunham bring life to his wooden friends.

A nameless woman keeps a diary as the Russians invade Berlin in the spring of 1945. She is in her early 30s, a patriotic journalist with international credentials; her husband, Gerd, a writer, is an officer at the Russian front. She speaks Russian and, for a day or two after the invasion, keeps herself safe, but then the rapes begin. She resolves to control her fate

In the highlands of Scotland in the 1700s, Rob Roy tries to lead his small town to a better future, by borrowing money from the local nobility to buy cattle to herd to market. When the money is stolen, Rob is forced into a Robin Hood lifestyle to defend his family and honour.

Alain Lefevre is a boxer paid by a Marseille mobster to take a dive. When he wins the fight he attempts to flee to America with the mobster’s girlfriend Katrina. This plan fails and he seeks escape by joining the foreign legion. As part of the legion he tangles with abusive lieutenant Steinkampf and bonds with legionnaires Luther, Mackintosh and Rosetti.

Star race car Lightning McQueen and his pal Mater head overseas to compete in the World Grand Prix race. But the road to the championship becomes rocky as Mater gets caught up in an intriguing adventure of his own: international espionage.

Brothers addicted to speed at any price. Documentary following the motorcycle road racing careers, and fate, of the Dunlop family.

Recorded live at Hammersmith Apollo, Russell questions the values of heroes and leaders. ‘Messiah Complex’ is a disorder where sufferers think they might be the messiah. Did Jesus have it? What about Che Guevara, Gandhi, Malcolm X and Hitler? All these men have shaped our lives and influenced the way we think. Their images are used to represent ideas that often do not relate to them at all. Would Gandhi be into Apple? Would Che Guevara endorse Madonna? Would Jesus be into Christianity? He concludes it’s all a load of rubbish and encourages the audience to stop voting, ignore advertising, look to the transcendent within themselves and others…and kick over some bins on their way home. Plus there’s sex. Obviously.

Reporters Loretta McLaughlin and Jean Cole bravely pursue the story of the Boston Strangler at great personal risk, putting their own lives on the line in their quest to uncover the truth.

A profile of Boubacar Traore, “Mali’s Elvis Presley”, a love story told by a singer whose music takes us on a social, political and geographic voyage of Mali from 1960 to our days.

LIVING IN THE AGE OF AIRPLANES offers a fresh perspective on a modern-day miracle that many of us take for granted: flying. Narrated by Harrison Ford and featuring an original score from Academy Award® winning composer James Horner, the film takes viewers to 18 countries across all seven continents to illuminate how airplanes have empowered a century of global connectedness our ancestors could never have imagined.

This unique cinematic experience dives deep into an artist’s work and reveals his life path, inspiration, and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be completely immersed in the remarkable world of one of the greatest contemporary artists, Anselm Kiefer. Wim Wenders shot this unique portrait over the course of two years in stunning 3D.

Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.