Love Me follows Western men and Ukrainian women as they embark on an unpredictable and riveting journey in search of love through the modern “mail-order bride” industry.
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A depressed woman must come to terms with her own vulnerability when she hires an eager Professional Cuddler on Christmas Eve.
A father and son who must team up to save Christmas, once they discover Santa Claus sleeping in their garage after crashing his sleigh and finding himself on the run from the police.
Bessie and Winston “Slug” Winters are married coaches whose mission is to whip their college football team into shape. Just in time, they discover a hillbilly farmhand and his sister. But the hillbilly farmhand’s ability to throw melons enables him to become their star passing ace.
Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth’s resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.
Once again tampering with mother nature to disastrous results, Dr. Herbert West continues his research while serving time in a maximum security prison for his previous exploits. West’s limited prison-cell experiments are suddenly interrupted by the arrival of a new prison doctor and the brother of the girl who suffered from West’s experiments 13 years earlier.
From London to the far reaches of Scotland, the journey in the form of a quest for a whalebone box, related to its place of origin.
Dealing with a girlfriend suddenly leaving is tough enough. But for Hank, heartbreak couldn’t have come at a worse time. There’s also a monster trying to break through his front door every night.
Treachery centers on a man (Biehn) who is reunited with his estranged son at a remote wedding party. When a storm strands the party, ugly truths are revealed.
The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.
After growing up in a tumultuous household, Yura finds herself in a love triangle with two close friends as she faces a personal and financial crisis.