An all-Irish cast (including Donal McCann, Rachael Dowling and Colm Meaney) lends authenticity and gravitas to director John Huston’s final film, an elegiac take on a short story by James Joyce (from The Dubliners). After a convivial holiday dinner party (circa 1904), things begin to unravel when a husband and wife address some prickly issues concerning their marriage. The movie stars Huston’s daughter, Anjelica, and was scripted by his son, Tony.
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On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, Libby, also has a talent for dancing and adds her to his act. Harley, the theater patron who never knew Libby took his gold cigarette case, is impressed by Libby’s dancing and invites her to bring Charles and the other buskers in his group to an after-the-play party. Libby comes alone. A theatrical career is launched.
Hasu is a young, innocent village boy. He has none to be called as a family in this world. That’s why he has made all the villagers his family members. Hasu’s life revolves around the love of his life-Kajol and his childhood friend-Anis. When finally Hasu is going to be settled and live happily ever after with Kajol, life takes an unexpected turn and everything falls apart. When Hasu’s love and friendship are at stake, what will Hasu do?
A young man (Cruise) leaves Ireland with his landlord’s daughter (Kidman) after some trouble with her father, and they dream of owning land at the big giveaway in Oklahoma ca. 1893. When they get to the new land, they find jobs and begin saving money. The man becomes a local barehands boxer, and rides in glory until he is beaten, then his employers steal all the couple’s money and they must fight off starvation in the winter, and try to keep their dream of owning land alive. Meanwhile, the woman’s parents find out where she has gone and have come to America to find her and take her back.
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