Subhash Nagre or Sarkar, the patriarch of the most powerful family of Maharashtra, continues to hold centre-stage because of his immense clout with the masses. In this outing, the Godfather is joined by his grandson Shivaji Nagre who loves and hates his grandfather with equal intensity. Will Shivaji betray Subhash? Or will he become a prey to his grandfather’s machinations?
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A child abandoned in a subway coin locker is sold to a ruthless and calculating loan shark and gangster boss dubbed “Mother” (Kim Hye-soo), who runs an organ-harvesting ring in Incheon’s Chinatown. Named Il-Young (Kim Go-Eun), the baby girl grows into Mother’s loyal right-hand enforcer and is groomed to be her eventual successor. But when Il-Young’s loyalty to Mother wavers, the clash between the two unleashes a merciless tidal wave of blood-soaked retribution and strife.
One hot afternoon in the south of France, several paths are converging towards a tragic conclusion. Those involved are: Stéphane and Luigi, two cousins who have just emerged from adolescence; Georges, a retired old man; Amélie, Luigi’s girlfriend; and Amélie’s mother Anne. Little do they know how their lives, scarred by fear, humiliation and weariness, will become intertwined and propel them to a terrible outcome…
Britt Reid (Seth Rogen), the heir to the largest newspaper fortune in Los Angeles, is a spoiled playboy who has been, thus far, happy to lead an aimless life. After his father (Tom Wilkinson) dies, Britt meets Kato (Jay Chou), a resourceful company employee. Realizing that they have the talent and resources to make something of their lives, Britt and Kato join forces as costumed crime-fighters to bring down the city’s most-powerful criminal, Chudnofsky (Christoph Waltz).
One man’s journey to disprove the theory of astrology leads him to answer some bigger question about life, love, fate and destiny.
An angel under the thumb of a ruthless gangster is saved by a trumpet player down on his luck.
After his girlfriend commits suicide, a man (Shinya Tsukamoto) becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.
Horace, a 8 years old boy, who still believes in Santa Clause, received as a Christmas gift a day at the mall. What ought to be a normal Christmas day turns into an adventure when Horace loses his mother. He mets John, a pickpocket disguised as Santa Clause, who was in the middle of an illegal operation. Unlike the Santas on TV, John doesn’t seem to like children. Althought, the boy is convinced that this is the real Santa Clause and tail of it, causing all sorts of trouble as dangerous, as funny. Finally John finds the magic of Christmas and Horace discovers that miracles indeed, occur.
When a Russian mobster sets up a real estate scam that generates millions of pounds, various members of London’s criminal underworld pursue their share of the fortune. Various shady characters, including Mr One-Two, Stella the accountant, and Johnny Quid, a druggie rock-star, try to claim their slice.
A group of people meet for the first time in a long time and play a game that reveals each other’s secrets.
When Sarah accidentally proposes to her girlfriend in Provincetown, she finds herself at odds with her partner’s expectations of their future. The mixup sends both women on different journeys of marital exploration.
Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that’s often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.
