Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. This is the feature film version of the 2011 short film going by the same name.
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Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.
Below the streets of New York is a dark and dangerous world hidden in the shadows of abandoned subway tunnels and miles of forgotten infrastructure. When a young documentary filmmaker goes into these tunnels to uncover the unseen stories of the people living below our feet, she finds out that there is more to be afraid of than the dark. A mysterious figure, living beyond the reach of the law, has declared war on the outside world that threatens to tear apart the fragile underground society living in the tunnels and maybe even the city above it.
Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.
With Gandhi My Father, producer Anil Kapoor and director Feroz Abbas Khan have shed light onto Gandhi the person, rather than Gandhi the icon. Using Gandhi’s political career as a canvas, the film paints a picture of his intricate, complex, and strained relationship with his son Harilal Gandhi.
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In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.
