Alice is a sailor. While her partner Félix waits for her on land, she sets off as second mechanic on the Fidelio, an old freighter. On board, she discovers not only that her predecessor has just died, but also that the skipper is none other than the first great love of her life. Alice finds a notebook in her cabin, apparently that of the former mechanic, and on reading its contents – accounts of mechanical problems, sexual conquests and lovelorn emotions – finds, oddly, that they mirror her own concerns. As they make stops at various ports, dealing with life aboard alongside an all-male crew and the swell and pitch of her romantic feelings, the young woman tries to stay on course.
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An independent-minded American tour guide is fired from her job in Rome just before Christmas. She crosses paths with an American executive named Oliver, who wants to buy a high-end Italian ceramics company. Oliver hires Angela to be his tour guide around the Eternal City, as the owner of the ceramics company won’t sell it to him until he learns “the heart and soul of Rome.” But is there another heart and soul that he may win?
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Brie Traverston is up for partner at her firm if she can successfully coordinate a Christmas wedding reshoot and ignore all the feelings that come with working with the one-that-got-away Eddie Chapman and his possibly new girlfriend Isabella.
A bickering couple driving cross-country pick up a murderous hitchhiker whom threatens to kill them unless they take him to a santuary, and in return agrees to split some bank loot he has on him.
For two decades, Hollywood psychic Kioma Son has lived apart from her destiny. This night, she meets a tall dark stranger and everything changes – Forever.
Lou Andreas Sand, a once famous model, recalls her past as she tries to make success in the modeling world of New York, her stressfull workdays, her affair with Mark, an advertising executive, her friendship with photographer Aaron, and her downward spiral into ruin.
Running away on the highway, Maria is alone in her roaring SUV. Behind her, fire and a case full of money. In front of her, the hopeless vastness of the motorway. Only a day before she was a caring mother, a loving wife, a responsible daughter. Today she has gone rogue.
The Burlesque Lounge has its best days behind it. Tess, a retired dancer and owner of the venue, struggles to keep the aging theater alive, facing all kinds of financial and artistic challenges. With the Lounge’s troupe members becoming increasingly distracted by personal problems and a threat coming from a wealthy businessman’s quest to buy the spot from Tess, the good fortune seems to have abandoned the club altogether. Meanwhile, the life of Ali, a small-town girl from Iowa, is about to change dramatically. Hired by Tess as a waitress at the Lounge, Ali escapes a hollow past and quickly falls in love with the art of burlesque. Backed by newfound friends amongst the theater’s crew, she manages to fulfill her dreams of being on stage herself. Things take a dramatic turn though when Ali’s big voice makes her become the main attraction of the revue
The film revolves around the life of an ordinary man and a local goon and how their lives get changed due to some unfortunate events.
Eleven people, isolated from the outside world, communicate via screens. A son wants to hold the hand of his suffering mother. Love grows. A mother has abandoned her family. A therapist finds himself at the edge of ruin. A daughter connects with her parents.
Li Er, a 17 year old girl who has great difficulty hearing out of her left ear, is rejected after confessing her love to a boy, Xu yi. Instead the boy is in love with Li Bala, a girl who is in fact in love with Zhang Yang. Li Er befriends Li Bala, who dies due to an accident. As the movie progresses, Li Er overcomes her hatred of Zhang Yang, whom she blamed for Li Bala’s death.
Depicts a heist of old bills, retired from circulation and destined by the government to be “money to burn”. However, more broadly, it addresses the issues of Black Americans’ involvement in the Vietnam War and their subsequent disillusionment with progress in social issues and civil rights back home in the United States, during the 1960s.
