When a young woman learns her parents’ killer has been released from jail, she is forced to revisit old wounds while discovering the destructive power of hate and the true cost of family secrets fully revealing themselves.
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Following two fatal aircraft accidents aboard an Aircraft Carrier, a government agent is placed aboard the ship. His mission is to determine what may be at the root of these mishaps and prevent the inevitable third chain breaking accident which abruptly changes course when a sailor reports seeing one of the top ranking fighter pilots in a gay club. The aviator and three of his squadron mates and their spouses all become the subject of a deadly modern day witch hunt entangling them in a web of jealousy and deceit which tests their concept of love, friendship and honor and changes their lives forever.
Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.
An Australian urban legend comes screaming on the Ozploitation scene. It’s said that if you drive down the creepy road of Lemon Tree Passage, and witness a sudden flash of light in the trees, you’ll be forever haunted by the tormented spirit of a man killed by thrill speeding teenagers. Wanting to put this old wives’ tale to the test, a car-load of non-believers take the supposedly cursed journey and do indeed see a strange manifestation. But it’s not the one of popular myth – this sudden possession of one of their number involves another altogether more shocking crime. That of a young girl raped and murdered on the same stretch of highway. As one urban legend trumps another, the scared passengers must sort out the facts of both cases before vengeful justice from beyond the grave can be meted out with moody atmosphere, ghostly thrills and supernatural suspense.
The relationship between two mismatched people who try to move past their baggage to make their love work.
Convicted felon Max Truemont (played by Josh Holloway) is hired to execute a kidnapping of the son of one of the richest women in the state. Along with his fiancée Roxanne (played by Sarah Wayne Callies), Max joins two other strangers who were also hired by the same absent mastermind behind the kidnapping.
A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he’s about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country’s cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990’s war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he’s completely the wrong man for the job.
The fall from the top to the absolute bottom can be very fast. A renowned physician, also a beloved father and husband, is accused of a serious felony. Innocence is hard to prove, especially when in desperation to try to save oneself, we sacrifice the secrets that should have remained hidden forever.
For never-do-well compulsive gambler Fong, there’s only one thing more fearsome than debtors at his doorstep – having to coax a crying baby. But what if the baby becomes his golden goose to fend off his debtors? Can he overcome his phobia of diapers, milk bottles, and cloying lullabies?
New York City English professor Axel Freed outwardly seems like an upstanding citizen. But privately Freed is in the clutches of a severe gambling addiction that threatens to destroy him.
Concerned about his wife Gayatri’s menstrual hygiene, Lakshmikant Chauhan urges her to ditch the cloth and opt for sanitary napkins. Gayatri is reluctant to go for disposable pads as they are expensive. Lakshmi obsessing over a ‘ladies problem’ makes her cringe but he insists on bringing upon a change by addressing the taboo topic. Subjected to hostility for ruffling the religious and age-old beliefs of people around, can the man brave the resistance and get his point across?
