An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.
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To build up attendance at their games, the management of a struggling minor-league hockey team signs up the Hanson Brothers, three hard-charging players whose job is to demolish the opposition.
Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.
The Great Depression hits home for nine year old Kit Kittredge when her dad loses his business and leaves to find work. Oscar nominee Abigail Breslin stars as Kit, leading a splendid cast in the first ever “American Girl” theatrical movie. In order to keep their home, Kit and her mother must take in boarders – paying house – guests who turn out to be full of fascinating stories. When mother’s lockbox containing all their money is stolen, Kit’s new hobo friend Will is the prime suspect. Kit refuses to believe that Will would steal, and her efforts to sniff out the real story get her and friends into big trouble. The police say the robbery was an inside job, committed by someone they know. So if it wasn’t Will, then who did it.
Sunhi from the Department of Film stops by the school one day to get a letter of recommendation from Professor Choi to leave to the US. She expects him to write her a nice one since he took favor to her. She runs into two men from the past she’s never met in a long time; Moon-soo, a recently turned movie director and senior director Jae-hak.
Set in the 1980s, “Monga” centers on five boys (Mosquito, Monk, Dragon, White Monkey and A-Lan) who join the “Gang of Princes” who are tired of being pushed around. As the “Gang of Princes” rise in stature, they come into conflict with other gangs jealous of their rising power.
A ride-share driver finds himself transporting the man who is secretly sleeping with his wife.
When a group of trespassing seniors swim in a pool containing alien cocoons, they find themselves energized with youthful vigor.
Fleeing an arranged marriage in China, the independent Peony signs a contract to work as a “flower girl” in America, where she meets Tom, an American Born Chinese cook whose father works on the Transcontinental Railroad. Thwarted by a Hong Kong Triad boss seeking to extend his power into America, theirs is the tale of the first great Chinese immigration to the United States – a story of romance, bigotry, passion, food and a search for everlasting love – set against the largest mass lynching in American history, in Los Angeles’ Chinatown, in 1871.
Set against the lush backdrop of rural Laos, this spirited drama tells the story of scrappy ten-year-old Ahlo, who yearns to break free from his ill-fated destiny. After his village is displaced to make way for a massive dam, Ahlo escapes with his father and grandmother through the Laotian outback in search of a new home. Along the way, they come across a rocket festival that offers Ahlo a lucrative but dangerous chance to prove his worth.
The protagonist is Carmen X, a female member of a terrorist gang. She asks her uncle Jean, a washed-up film director if she can borrow his beachside house to make a film with some friends, but they are in fact planning to rob a bank. During the robbery she falls in love with a security guard. The film intercuts between Carmen’s escape with the guard, her uncle’s attempt to make a comeback film, and a string quartet attempting to perform Beethoven.