L.A. Burning: The Riots 25 Years Later

Pro-intelligent design scholars and scientists are often chastised, fired or denied tenured positions by those who believe in Darwin’s theory of evolution.

Released in 1995, Paul Verhoeven’s SHOWGIRLS was met by critics and audiences with near universal derision. YOU DON’T NOMI traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

Every era gets the drug it deserves. In America today, where competition is ceaseless from school to the workforce and everyone wants a performance edge, Adderall and other prescription stimulants are the defining drugs of this generation.

Off a dirt road in rural Maine, a precocious 20-year-old woman named Michelle Smith lives with her mother Julie. Michelle is quirky and charming, legally blind and diagnosed on the autism spectrum, with big dreams and varied passions. Searching for connection, Michelle explores love and empowerment outside the limits of “normal” through a provocative fringe community. Will she take the leap to experience the wide world for herself? Michelle’s joyful story of self-discovery celebrates outcasts everywhere.

The life and legacy of Richard Holbrooke, whose singular career spans fifty years of American foreign policy, is told in this documentary from Holbrooke’s eldest son David.

This documentary unveils previously unseen footage of Jimi Hendrix’s seminal performance at the 1970 Atlanta Pop Festival playing his greatest hits in front of 300,000 people. With interviews from Hendrix and his fellow musicians, including Paul McCartney and Mitch Mitchell, the insight they provide casts a new light into the musician’s personality and genius at the juncture of this important cultural gathering, hailed as the ‘Southern Woodstock’.

Celebrities recall their most mind-bending trips via animations, reenactments and more in this comedic documentary exploring the story of psychedelics.

Since 2007, dozens of young people have been found hanged in Bridgend, a town in southern Wales. Many of them knew one another-they were friends, neighbors, and family. The striking similarities between their deaths have confounded authorities and struck fear into the hearts of parents. Headlines splashed across the UK earned Bridgend its infamous nickname: “”Death Town.”

For millions worldwide, the Rose Parade is an iconic New Year’s Day tradition. Members of the Burbank Tournament of Roses Association, a self-funded, all-volunteer organization, compete in the world-famous Pasadena Tournament of Roses.

Landfill is a documentary that emerged from the perception of a paradox in relation to litter. While most people want to get rid of it, I met some ladies, pioneers of recycling, that they miss the trash from others in side of the house. From the time where I met up making the film, many things happened, both in the media, with all the newly fallacious discourse of sustainability, and in my personal relationship with the trash, when I became the ‘householder. ‘ This is a film of these seven women, who are truly experts.

The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.

A love story about the legendary sexploitation director Joe Sarno and his loyal wife and business partner Peggy. The film relates their part in the history of sex film, their lives between New York and Sweden, and their struggle to produce one last erotic film.