Thirty years on from the 1984 Union Carbide plant malfunction, the consequences of which are tragically ongoing, A Prayer for Rain is the powerful and moving story of the Bhopal tragedy, one of the great corporate and environmental scandals of the last half-century. It dramatises the dependence of the local community on the chemical plant that will eventually cause catastrophe, and the series of oversights that led to an event that stands as a benchmark for corporate irresponsibility in the developing world.
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The theme is the founding of the state of Israel. The action begins on a ship filled with Jewish immigrants bound for Israel who are being off loaded on Cyprus. An Intelligence officer succeeds in getting them back on board their ship only to have the harbor blocked by the British with whom they must negotiate. The second part deals with declaring independence and the resulting warring.
The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, fuck, and choose.
A student takes a bizarre trip through the Italian Alps after being inspired by a professor’s lecture on Beethoven’s “Ode to Joy” from his Ninth Symphony.
Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they’re trying hard to avoid; but to which they succumb to. This dramedy on relationships also gets a very credible performance from Paola Miraccione, who plays the tragic, albeit funny, character Egle.
A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
Xia Mu is a troubled child whose salvation comes in the form of Shu Yawang. When something terrible happens to her, he seeks revenge. Nothing is the same in their lives after that.
Joseph and Maria are married for six months and Maria still has never had an orgasm with her husband. They begin to visit mysterious doctor Baltazar who teaches them how to reach ecstasy in sex.
In a dystopian future where pain and emotion have been suppressed by a government-issued drug called Torpase, Joshua Barrett coasts through the monotony of his repetitive, workaday life. But when he’s kidnapped by a rebellious priest, Joshua is exposed to a world beyond Torpase, changing everything he thought he knew about what it means to live.
All the people surrounding her refuse to express their feelings and emotional boundaries. The resulting everyday life is characterized by ruthlessness: Even friends reduce each other to their appearance and shamelessly take advantage of each other. Minori runs against this by attacking ignorance whenever she encounters it, whatever the consequences might be.
