Game Face shows the quest to self-realization of LGBT athletes and the acceptance in society. The film follows athletes during their coming out process, and sheds light on the obstacles LGBT sports players deal with throughout their career.
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Follow Aisholpan, a 13-year-old girl, as she trains to become the first female in twelve generations of her Kazakh family to become an eagle hunter, and rise to the pinnacle of a tradition that has been typically been handed down from father to son for centuries.
Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.
Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true “free lance, ” goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor’s heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.
Power of Grayskull: The Definitive History of He-Man and the Masters of the Universe looks to forge the greatest, most definitive, documentary on everything He-Man and the Masters of the Universe, She-Ra, the live action movie, New Adventures of He-Man, the 200x series and much more! They delve into the toys, comics, cartoons, and movies from all eras by talking to the artists, creators, executives and actors who helped make it a reality.
ARE YOU PROUD? meets key campaigners and investigates the organisations and events that have contributed to substantial progress within the western LGBTQ+ liberation movement, focusing on the history of Pride in the UK. It celebrates that progress, whilst exploring the controversial questions over the continuing relevance of the Pride march, and highlights the international battles still to be fought.
James Hunt has never been equalled. Could swashbuckling Hunt catch the scientific Lauda? Could Niki overcome an appalling crash to come back from the dead and fight James all the way to the last race of the season? This powerful story captures the heart of the 1970s – told through unseen footage and exclusive interviews with the people who were really there – the team managers, families, journalists and friends who were in the front row of the season that changed Formula 1 forever.
Viktor Bout was a war profiteer, an entrepreneur, an aviation tycoon, an arms dealer, and—strangest of all—a documentary filmmaker. The Notorious Mr. Bout is the ultimate rags-to-riches-to-prison memoir, documented by the last man you’d expect to be holding the camera.
Ësáasi Eweera, one of the last kings of the Bubi people of Equatorial Guinea and a threat to Spanish colonial rule, died in suspicious circumstances. A century later, the case is reopened: a formalist detective story and an indictment of colonialism.
Seven transgender and gender nonconforming individuals share their unique experiences with Silas Howard.
Delve into the life and times of Stormy Daniels as she shares her story and account of events that have become part of American history.
Orson Welles’ final film documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.
Faced with a documentary film that included an interview with a young girl forced into prostitution, Michael Kranz asked himself the apparently banal question of “what can be done?” He travelled to Bangladesh and began to search for the girl. A film that is both self-critical and critical of society about the desire to at least do something and not to simply and passively give in to the injustices in this world.
