Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.
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Tan Pin Pin employs a strictly external perspective for this portrait of her hometown, the tropical economic powerhorse of Singapore, interviewing political exiles in London, Thailand and Malaysia, who are to this day unable to return home.
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Having to prove the existence of God to an atheist is like having to prove the existence of the sun, at noon on a clear day. Yet millions are embracing the foolishness of atheism. “The Atheist Delusion” pulls back the curtain and reveals what is going on in the mind of those who deny the obvious. It introduces you to a number of atheists who you will follow as they go where the evidence leads, find a roadblock, and enter into a place of honesty that is rarely seen on film.
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