Haunted by her husband’s death in WWII, Claire lives in a dark mansion, where her children begin to see supernatural visions of the undead. Is dad being conjured from the afterlife, or are the ghosts something far more sinister?
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In the phantasmagorical town of Raven’s End, a misguided young girl takes refuge in a decrepit old mortuary. The eccentric undertaker chronicles the strange history of the town through a series of twisted tales, each more terrifying than the last, but the young girl’s world is unhinged when she discovers that the final story… is her own.
During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?
An undercover cop is released from jail after being wrongfully convicted for uncovering a conspiracy that led to the death of hundreds of people living with HIV.
ZOMBIE WITH A SHOTGUN is the feature adaptation of the popular web series of the same name. Aaron and Rachel are on the run due to the fact that Aaron is infected by what seems to be a zombie virus. As the story unfolds, they find that there is more to this infection than it seems. For some reason, he has not developed the full zombie virus. He seems to be trapped in a transitional phase which grants him certain abilities. One of them is the ability to communicate with other zombies. This makes Aaron a valuable pawn as he’s being pursued by shadowy figures with ulterior motives. Now he must stay alive (or undead) long enough to figure out the source of his infection!
In the sleepy suburbs of Miami, seemingly normal Egyptian immigrant Fuad Ramses (Mal Arnold) runs a successful catering business. He also murders young women and plans to use their body parts to revive the goddess Ishtar. The insane Ramses hypnotizes a socialite in order to land a job catering a party for her debutante daughter, Suzette Fremont (Connie Mason), and turns the event into an evening of gruesome deaths, bloody dismemberment and ritual sacrifice.
A same-sex couple move to a small town so they can enjoy a better quality of life and raise their 16 year-old daughter with the best social values. But nothing is as it seems in their picturesque neighbourhood. And when Malik sees the folks next door throwing a very strange party, something very shocking has got to give.
Novelist Paul Sheldon crashes his car on a snowy Colorado road. He is found by Annie Wilkes, the “number one fan” of Paul’s heroine Misery Chastaine. Annie is also somewhat unstable, and Paul finds himself crippled, drugged and at her mercy.
One morning, when Riley (Chantel Little) should be at classes, her mother Angie (Maissa Houri) hears a cellphone ringing from her bedroom, soon to discover Riley left her phone behind. She answers what is Riley’s best friend Mackenzie’s (Willow Mcgregor) third attempt to reach someone. After Angie asks if Riley is with her, she realizes Mackenzie was about to ask the same thing. Shortly after, Angie checks the main closet and finds Riley’s shoes are still there. Did she leave in the middle of the night or vanish into thin air? Riley’s circles paint a picture of the events surrounding her disappearance while exploring leads in what becomes a harrowing mystery of twists, turns, and answers that poses the question: Was it better to not know what really happened after finding out the truth?
