Gloria finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime. Surviving will require all of her cunning, inventiveness, and strength.
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Dennis and Rita arrive home to a series of mysterious events.
A high school student develops a crush on her gym teacher.
Favoring pedigree dogs, a new regulation puts a severe tax on mixed breeds. Owners dump their dogs and shelters become overcrowded. 13-year-old Lili fights desperately to protect her pet Hagen, but her father eventually sets the dog free on the streets. Hagen and his pretty master search desperately for each other until Lili loses faith. Struggling to survive, homeless Hagen realizes that not everyone is a dog’s best friend. Hagen joins a gang of stray dogs, but is soon captured and sent to the pound. With little hope inside there, the dogs will seize an opportunity to escape and revolt against mankind. Their revenge will be merciless. Lili may be the only one who can halt this unexpected war between man and dog.
Katie (Lucy Hale) and Sara (Phoebe Strole) have been friends since childhood. They enter college together, where Katie is a prized legacy candidate for the Delta sorority, which was co-founded decades ago by her mother, Lutie (Courtney Thorne-Smith) and Summer (Faith Ford), whose own daughter Gwen (Amanda Schull) now leads the Deltas on campus. Events occur during pledge week to cause a rift between Katie and the Deltas, which leaves Sara as a Delta pledge and Katie out in the cold. Katie joins the rival Kappa sorority, and the rivalry splits not just Katie and Sara, but extends all the way into the Delta alumnae association led by Lutie and Summer.
A “gangster noir” set in the 1970s, when Gangnam, Seoul goes under development. Political powers and darker organizations collide as they seek to grab control of the influential and exclusive area.
A bad night out just got a fair bit worse, it’s the end of the world! Something terrible has happened, the undead are out in force; roaming the streets and devouring all who get in their way. A group of soldiers, civilians and teenagers take shelter in a local school for protection from the undead hordes outside, but no rescue is coming. Food is running low – morale doubly so, tensions are high and things are looking bad when a stranger arrives outside the gate. Then they get a whole lot worse.
Eight of the world’s most legendary monsters, along with their diabolical managers, compete in a wrestling tournament deathmatch to determine the most powerful champion of all time. Interviews, pre-fight breakdowns, trash talking, and monster origin segments round out this ultimate fight of the living dead.
Paulie, an intelligent parrot who actually talks, relates the story of his struggle to a Russian immigrant who works as a janitor at the research institute where he is housed and neglected. Paulie’s story begins many years earlier when he is given as a gift to a little girl who stutters. Eventually, he teaches the girl to speak correctly but is taken away by her father because he believes the girl cannot distinguish fantasy from reality because she believes the bird can talk. Paulie goes through a series of adventures with a pawn shop owner, an aging widow, a Mexican-American troubadour and a would be thief before being taken to the institute where he now lives
Jenny is sent to a women’s reform school. It is run by evil warden Sutter and her henchwoman Edna. Jenny will stop at nothing to escape but she also has to deal with Charlie the bully.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
