A lonely plumber fights for a customer he’s fallen for.
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Hasmukh Gandhi has a simple philosophy: enjoy and let enjoy. But his stress-free life is interrupted when his daughter, Tanisha comes home with her boyfriend, Montu. While everyone in the Gandhi family has fallen for Montu’s charm, Hasmukh sees him for the trickster he is. Not wanting his daughter to be entrapped, Hasmukh has found the perfect boy for her; one who is not only trustworthy, but also someone he knows will take care of her. The trouble is no one approves of his choice.
The colourfully named gold prospector Hermann Kermit Warm is being pursued across 1,000 miles of 1850s Oregon desert to San Francisco by the notorious assassins Eli and Charlie Sisters. Except Eli is having a personal crisis and beginning to doubt the longevity of his chosen career. And Hermann might have a better offer.
“SNL” alum Rob Schneider takes to the stage (as himself) to examine the bizarre nature of fame, the woes of aging and the virtue of sweatpants. Known for his off-the-wall characters, Schneider opens up about his own life, which can be equally zany.
Alex (Alex Magaña) and Matt (Matt Lowe) are best friends who are complete opposites. Alex is responsible, in-shape and lonely. Matt is immature, overweight and smothered. Secretly, they envy each other’s lives and after a strange encounter with a magical bum, swap bodies. Realizing neither had it as easy as they thought, they embark on a crazy journey to get their lives back.
Powerhouse stand-up Chris D’Elia takes New Orleans by storm in his very first one-hour stand-up special, “White Male. Black Comic.,” on Comedy Central. British dudes, drunk girls, and bears on romantic dates at Applebee’s. Hey, why is it that we are the only species that makes love, anyway? Chris D’Elia explains the hilarious truth and more in this dynamic new special.
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.
A body conscious photographer, Adrian, concocts a scenario in which he attempts to project his insecurities onto those who mock him. Hired by Adrian, his professed muse Mira and five other girls begin to question who is using who when it becomes clear that the not so normal mind of the photographer himself isn’t all the girls have to worry about.
Single mom Madison finds herself scraping pennies together two weeks before Christmas after the IRS freezes her bank account, her ex fails to come through with any help and her boss fires her. Desperate to pay bills and buy gifts for her teenage children, Madison jumps into the ever-popular “gig economy.” That’s when she meets and eventually gets hired by obnoxious, sidelined former pro football player Alec Darby, also secretly on the verge of going broke. This odd couple butts heads time and time again, but they eventually forge a friendship. And, to their surprise, they learn a lot about themselves and teach one another how to be better people.
Arthur (Dudley Moore), that irrepressible drunk, tries to sober up — and get a job — in this sequel to the 1981 smash hit. Meanwhile, the father of the girl Arthur stood up at the altar in the first film is conniving to trick the hapless boozer into marrying his daughter so he can gain entrée to Arthur’s $750 million fortune.
Speedy, merciless and with plenty of black humor Gasman shows the picture of a man searching for his inner soul.
A look at the lives of several struggling L.A. musicians. Gwen, a singer-songwriter, is on a quest for the big-time. Working as an assistant to a film production designer, Gwen tries to steal her boss’ boyfriend, a veteran rock producer. The producer, meanwhile, is trying to orchestrate a comeback for an ’80s band.
