In modern-day Metro Manila, a diverse group of Filipinos faces life’s lows as their destinies collide on a fateful train ride, unfolding a heartwarming and comedic tapestry of interconnected stories.
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Hapless Henry Palfrey is patronised by his self-important chief clerk at work, ignored by restaurant waiters, conned by shady second-hand car salesmen, and, worst of all, endlessly wrong-footed by unspeakably rotten cad Raymond Delauney who has set his cap at April, new love of Palfrey’s life. In desperation Henry enrolls at the College of Lifemanship to learn how to best such bounders and win the girl.
In 1984, American heavy metal band Twisted Sister became a global sensation. For 30 years, they been synonymous with hairspray, women’s clothing and tasteless album covers. Until now. Ten years ago, director Andrew Horn was granted access to the archives of Twisted Sister founder Jay French and in We are Twisted fucking Sister he explores the decade that preceded their breakthrough.
Lapland Odyssey is a comedy about Janne, a man from Lapland in northern Finland, a man who has made a career out of living on welfare. Inari, his girlfriend, is tired of Janne’s incapability of getting a grip on life, Janne wasn’t even able to buy a digital TV box that Inari had given money for. Inari gives an ultimatum: a digital box needs to arrive by dawn or she leaves. Janne sets out into the night with his two friends to find a box. On their way to the city of Rovaniemi, Janne and his friends face many challenges, obstacles and temptations. They learn that they need to be daring. There’s no room to give into bitterness. The most important thing isn’t success, but rather the journey in itself.
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