A look inside the infamous Gambino mob family, featuring a new interview with one of the most notorious hit men in mafia history, Sammy “The Bull” Gravano.
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Through newly discovered geological and statistical patterns, many believe it can be proven that the Tribulation is about to begin!
The life and legacy of Richard Holbrooke, whose singular career spans fifty years of American foreign policy, is told in this documentary from Holbrooke’s eldest son David.
When the world’s financial bubble blew, the solution was to lower interest rates and pump trillions of dollars into the sick banking system. But what happens when the solutions are identical to the mistakes that caused the very crisis?
For decades science fiction writers have amazed us and terrorized us with their portrayal of the world of artificial intelligence – from armies of cyborgs to legions of programmed zombies. Today we are now living in that future age of robots and artificial intelligence and all those dreams of the past are coming true. Mechanical robots will soon be outdated with biologically created humanoids connected to each other across the globe. They will self-repair, gather energy from the sun and live forever. They will be all-knowing and all-powerful like Gods that will walk the Earth. This future world is now inevitable and cannot be stopped. The greatest brains on Earth today have warned us about the consequences of getting this new technology wrong. They have predicted catastrophe. Prepare to meet your future.
Tells in parallel, the story of two Mexican brothers that want to go back to the United States after being deported for life, and the story of an American woman who lost her house and today believes she can get it back through Trump’s promises. Their journeys take them on road trips to meet with their past and with relatives who they believe can help them achieve their dreams. Immigration has been shown in many ways, but it has never been presented through the lives of Mexicans and Americans who live similar situations due to poverty and lack of family structure. To achieve a dream you first need to know the name of the dream.
Joe Cross took viewers on his journey from overweight and sick to healthy and fit via a 60-day juice fast in the award-winning Fat Sick and Nearly Dead. With Fat, Sick & Nearly Dead 2, he looks at keeping healthy habits long-term.
A film crew follows two leopard cubs as they make the fascinating journey from infancy into adulthood in this up-close-and-personal nature documentary.
The first documentary about France’s post punk and cold wave scene in the late 1970s and early 1980s. During an art show at agnès b. gallery in 2008, Jean-François Sanz has gathered some exceptional material that brings to light, through archival footage and about thirty interviews to the main players, the pop culture heritage of that moment.
Another super polished, overly produced debacle. Delivering the gnarliest skateboarding from this year’s new breed of rippers: Jamie Foy, Chase Webb, Carlos Iqui, Michael Pulizzi and Cody Lockwood. “If anyone knows where the end of the Earth is, can they take us there?”
Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.
Pigeons do somersaults in mid-flight, and there is a tight-knit community of pigeon breeders and trainers in South Central L.A. devoted to the phenomenon as a competitive sport.
In 2012, awarded filmmaker Hernán Zin suffered an accident in Afghanistan that changed his life forever. The traumas he had been accumulating during 20 years of war reporting suddenly imploded. He began suffering depression, loneliness and self-destructive behaviors. Searching for answers of what happened to him, Hernán Zin decided to interview other journalists. He asked them about their traumas, their losses, their fears and their families. DYING TO TELL is the first documentary film ever made about trauma in war reporters. It is a brutal and torn portrait of war, and a tribute to those who risk their lives for the world to be informed. —Contramedia Films
