Tom Destry, son of a legendary frontier peacekeeper, doesn’t believe in gunplay. Thus he becomes the object of widespread ridicule when he rides into the wide-open town of Bottleneck, the personal fiefdom of the crooked Kent.
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In this modern take on Charles Dickens’ “A Christmas Carol,” Frank Cross (Bill Murray) is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life, Claire Phillips (Karen Allen). But after firing a staff member, Eliot Loudermilk (Bobcat Goldthwait), on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.
Brian Cox stars as Jacques, the curmudgeonly owner of a gritty New York dive bar that serves as home to a motley assortment of professional drinkers. Jacques is determinedly drinking and smoking himself to death when he meets Lucas (Dano), a homeless young man who has already given up on life. Determined to keep his legacy alive, Jacques deems Lucas is a fitting heir and takes him under his wing, schooling him in the male-centric laws of his alcoholic clubhouse: no new customers, no fraternizing with customers and, absolutely no women. Lucas is a quick study, but their friendship is put to the test when the distraught and beautiful April (Isild Le Besco) shows up at the bar seeking shelter, and Lucas insists they help her out.
A woman receives the chance to relive the life of her younger self, at a point in her life when the pressures of adulthood become too much for her to bear.
A German girl travels to Israel to help people with disabilities, where she learns a lot about the role of her grandparents in WWII and meets a man who wants to move to Berlin.
What do you do when love simply isn’t on the cards and keeps passing you by? 60-year-old Kristýna has lost her last ray of hope, so she goes off with her daughter Sára to talk to a fortune-teller about her sorry lot in life. One year on from Mirrors in the Dark, Šimon Holý brings us another wholly independent film about life’s traumas as seen from a female perspective, this time with a liberal dose of esoterica on top.
The sequel to Monster Hunt. Set in a world where monsters and humans co-exist, the franchise tells the story of Wuba, a baby monster born to be king. Wuba becomes the central figure in stopping an all-out monster civil war.
It’s 1983, and hopeless junkie Dick gets an unwelcome visit from the past – his seriously sleazy former cellmate, Bug, to be precise. Bug requires a crash course in the 80s: different music, different drugs, and machines in walls that dispense money. The latter development gives Dick an idea.
Marley’s brilliant at organizing other people’s engagements, but unlucky in finding romance herself. When designing her most important proposal yet, the man who could jeopardize it all may be the one who helps find her own love story.
Insecure and unhinged, Garrett is dead set on murdering the unrequited love of his life, Mia. When he comes face to face with his victim, his awkward incompetence takes over and things quickly spiral out of control as he finds himself on a deranged path to becoming a serial killer.
