“The Birdcatcher’s Son” – According to Faroese law, the birdwatcher Esmar will lose his lease within one year, thus forced to leave both his house and his land unless he makes sure he and his wife Johanna have a son. Because Johanna has just given birth to date, they decide what they think is their last and best chance; to jointly find another man who can make Johanna with children.
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A young father takes his nine year old son, the family dog, and two of his son’s friends backpacking in the mountains of Colorado only for all five of them to be struck by lightning.
Anna and Thomas are missing something: love. They will follow their encounter through confusing crushes and lack of commitment, but can love survive when you don’t want to compromise your own dreams for your partner?
Catherine Guérande (Valeria Ciangottini), a 19-year-old attractive Parisian girl, decides to become a prostitute after a messy love affair. She did not count on Pornotropos (Jean Yanne), a brutal racketeer who runs the profitable business of model agencies, cabarets, and camping sites, backed by Thanatos (Jean-Marie Fertey), his brother, who runs the mugging and murder side of their business. Pornotropos is not taking it well that a freelancer is around reducing his profits, and he sets his girls to harass and beat her up. Catherine does not take his mistreatment and moves to another brothel. But luck has it that an old man (Roger Karl) dies in her room, and that he was the owner of a marketing agency. Paul (Jacques Destoop), a young and handsome executive in his company, decides to investigate the shady causes of death of his late boss, and when Paul meets Catherine it’s love at first sight.
Follows Jack who takes his son and daughter to his late wife’s hometown, and begins to have visions of the past that could forge a new path forward.
Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity.
Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.
Liezl, an ambitious agent, learns that her colleague, Susanah, uses her body to sell condo units; so she imitates her scheme. When the tables turn, Liezl begins to face her punishments one by one.
Set in a university, the movie tells of the struggles, romances, joys and sorrows of four friends
Doo-Sik (Jo Jung-suk) gets paroled from prison thanks to his younger brother (Do Kyung-Soo) Doo-Young. Doo-Young is a promising judo athlete. After 15 years, Doo-Sik (Jo Jung-suk) suddenly appears in front of Doo-Young and they begin to live together. Doo-Young becomes involved in an accident before the selection for the national team.
A hero policeman shunted to a punishment posting as the Dean of the police academy decides to punish the corrupt bureaucracy and its criminal allies in return by training five lethal assassin policemen.
Through a series of real and imagined encounters with angels, demons, and England’s pagan past, a pastor’s son begins to question his religion and politics, and comes to terms with his sexuality.
