When her father is murdered, a cosmetics heiress becomes the next target of an unknown killer amid the international jet set.
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Nicky Larson is tasked to recover the perfume of Cupid, a perfume that would make anyone who uses it irresistible.
An old gangster is advised that Freddie Mays would leave jail after thirty years in prison. His mood changes and he recalls when he was a young punk, who joined Freddie Mays’ gang, a man he both envied and ultimately betrayed.
FBI agent Joel Campbell, burnt-out and shell-shocked after years spent chasing serial killers, flees L.A. to begin a new life for himself in Chicago. But five months later, Joel’s best laid plans are abruptly cut short when his new hometown becomes the setting for some particularly gruesome murders–murders that could only have been committed by one man: David Allen Griffin. One of Joel’s most elusive and cunning nemeses, Griffin has followed his former pursuer to Chicago in order to play a sadistic game of cat and mouse. Taunting Joel with photographs of his intended victims and leaving his crime scenes meticulously free of clues in order to keep the police at bay, Griffin derives as much pleasure out of watching Joel react to every movement as watching his victims die. But when Griffin moves into Joel’s inner circle, Joel must quickly find some way to stop him before someone close to him becomes the next one to die.
Kabir Lal is an alcoholic lawyer whose life is looking as if going down the drain. One morning he sees a stunningly attractive woman on a beach and is instantly enamored by her. By chance he sees her again in a restaurant and offers to buy her a drink. In the process he learns that her name is Sonia and she is married. Unable to resist, he asks her whether she would show him her home. It marks the beginning of a passionate affair, during which Kabir is told that Sonia’s husband neglects her. But Sonia cannot leave him because she cannot support herself without her husband’s money. Sonia suggests murder and Kabir, blind with lust, agrees. They manage to kill Sonia’s husband and make it look like an accident, but then Kabir gets to see Sonia’s other side: she no longer is the passionate lover as before, but is a cool-headed mean woman now who won’t let go of her wealth at any cost.
It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.
The life and times of Dawn Davenport, showing her progression from bratty schoolgirl to crazed mass murderer – all of which stems from her parents’ refusal to buy her cha-cha heels for Christmas.
Diabolik nearly gets caught in Inspector Ginko’s latest trap, leaving his partner in crime Eva Kant behind in the escape. Furious, Eva offers Ginko her help in capturing the King of Terror, but the former has to face the return of an old flame of his.
The exact details of what took place while Talib Ben Hassi was in police custody remain unclear. Police officers, Jens and Mike, are on routine patrol in Svalegården’s ghetto when news of Talib’s death comes in over the radio, igniting uncontrollable, pent-up rage in the ghetto’s youth, who lust for revenge. Suddenly, the two officers find themselves fair game and must fight tooth and claw to find a way out.
A hitchhiker named Martel Gordone gets in a fight with two bikers over a prostitute, and one of the bikers is killed. Gordone is arrested and sent to prison, where he joins the prison’s boxing team in an effort to secure an early parole and to establish his dominance over the prison’s toughest gang.
Lonely college student Alex encounters his favorite filmmaker, JP Smith, stalking around his sleepy town in upstate NY. Together they form a precarious relationship, with Alex becoming the star of JP’s latest flick: a lo-fi, vérité depiction of Alex’s life, where the line between reality and fiction slowly becomes obliterated.
