Six characters, contemporary archetypes of urban solitude, meet in an old apartment located in the city centre of Barcelona. An elderly married couple, her brother and three tenants: a blonde woman who gives French classes, a young security guard, an ex-football player and a young, pregnant South American girl. The old man, who was formerly a doorman at the opera and who likes to dress up in women’s clothes, gets them all together and asks them to leave as he is going to die and wants to be alone for the last stage of his life. In this flat, incest, homosexuality and adultery are intertwined in the life of these characters whilst we simultaneously witness the passing of time in this Mediterranean city.
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Noah and Madison are artists who want to change the world, and they begin their marriage as most couples do – full of hope and idealism, sure that their love will solve all their problems. But marriage isn’t all about the great times people post on social media. It’s also about the arguments over petty stuff, and the arguments over big stuff, and the longstanding resentments that no one wants to even bring up. Seven Short Films About (Our) Marriage tells a story of raw authenticity in seven episodes spanning fourteen years of their marriage as they reckon with racism, career challenges, medical issues, and more.
A reserved woman executive begins having vivid dreams about a young girl she hardly knows, being brutally murdered. As the dreams intensify, she calls the police and two skeptical detectives are called in. Her husband is the last person to believe her, but the first person she begins to suspect. Then, one of the detectives begins to have the same dreams..
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Rumania’s entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia’s revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.
As Cotopaxi spews ash, issuing an eerie penumbra over Quito, a young woman confronts dormant familial conflicts. Desperate for a place to store her things as volcanic disaster looms, Caridad turns to her long-estranged father Galo for help. Galo abandoned Caridad’s mother long ago and is eager to make amends, but questions concerning the nature of his transgressions linger, straining communication between father and daughter and casting grave doubts over the possibility of reconciliation.
In September 1942, the German Afrika Korps under Rommel have successfully pushed the Allies back into Egypt. A counter-attack is planned, for which the fuel dumps at Tobruk are a critical impediment. In order to aid the attack, a group of British commandos and German Jews make their way undercover through 800 miles of desert, to destroy the fuel dumps starving the Germans of fuel.
Davy Crockett and his sidekick Georgie compete against boastful Mike Fink (“King of the River”) in a boat race to New Orleans. Later, Davy and Georgie, allied with Fink, battle a group of river pirates trying to pass themselves off as Native Americans.
Dramatic comedy about two unlikely people who find each other while looking for love. Judith Nelson (Holly Hunter) is suddenly single after discovering her husband of fifteen years, a successful doctor (Martin Donovan), has been having an affair with a younger woman. Judith stews, plans, plots and fantasizes, but she can’t decide what to do with her life until she goes out to a night club to see singer Liz Bailey (Queen Latifah), who is full of advice on life and love. While out on the town, Judith is suddenly kissed by a total stranger, which opens her eyes to new possibilities … which is when she notices Pat (Danny De Vito), the elevator operator in her building.
