The remarkable first-person story of filmmaker Daniel Northcott, who documented his travels around the world, including a visit to a mysterious Mayan cave that may have precipitated his death.
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Scooby-Doo and the gang are on the case when a mysterious lake monster starts scaring the guests at a summer resort in Erie Point, where Fred, Daphne, Velma and Shaggy have taken on seasonal jobs to pay for a barn they accidentally burned down. But in addition to sneaking suspicions, there’s some romance in the air.
A young Congolese woman shares her story of becoming a victim of child trafficking and being thrown into a whirlwind of drifting between continents.
Scooby-Doo and the gang participate in a toy store’s holiday parade where they discover the abandoned haunted clock tower with a troubled past. A sinister snowman haunts the streets and accompanied with a large blizzard, threatens to close down the toy store for good.
Illuminates the spectrum of black male humanity in America. An intimate, inter-generational exploration, the film strives for insight to black identity and opportunity at the nexus of sports, education and criminal justice.
Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.
When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portugese aggressors.
It’s 1848 and a wagon train with an Army escort is heading west through Indian territory, It’s scout is Davy Crockett, nephew of his more famous namesake. There is spy amongst them informing the Indians. They survive the first Indian attack and then push on. They have a choice of two passes through the mountains. Learing of the pass to be defended by the Indians, they head for the other. But upon ariving, the Indians attack. Somehow they have been informed.
David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he’s wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne’s 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.
We Are Blood is a modern day skate epic featuring Paul Rodriguez and other top skateboarders as they travel the globe pushing the limits of what’s possible on a board and four wheels while celebrating the unconditional bond created by the simple act of skateboarding. Shot on location in Brazil, China, Dubai, and the United States.
