Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
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After a savage breakup, two exes must continue living together when California issues its stay-at-home order for COVID-19. Now they’ll try to move on without moving out.
A man is delighted to hear that his wife is pregnant and he begins to prepare for the wonders of fatherhood. As time progresses along, the family grows larger with each successive child and the father feels his importance in the family has been lessened with all the children. This man’s quiet desperation to hold onto his position is an interesting lesson in the family dynamic and how everyone is an important part of the whole.
Cyrus Nollen, Bergerac High’s resident big-nosed hacker, uses social media to help a handsome star athlete win the heart of his best friend Roxy, despite the fact that he is deeply in love with her himself.
When two medical students find themselves dangerously indebted to a sadistic loan shark, they become embroiled in an illicit black-market organ transplant scam in order to save their lives. ‘Muggers’ is a twisted, hilarious, pitch-black comedy about friendship, poor choices and the drag of student debt.
Mickey is first seen reading Gulliver’s Travels while the mice orphan children are pretending to be sailors. After ruining their game Mickey tries to make it up to them by retelling the Liliput sequences of Gulliver’s Travels pretending it was a real event that happened to him by portraying the role of Gulliver. The story ends with Mickey saving the town from a giant spider (Pete). However after telling the story, one of the children dangles a fake spider attached to a fishing rod which scares Mickey out of his witts.
As Spud Milton continues his awkward stagger through adolescence, he learns one of life’s most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. “I’m practically a man in most areas,” writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud’s world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.
A film editor breaks up with his girlfriend, unsure if he is in love.
A federal agent attempts to make some real money before the alcohol ban is lifted so he sets his sights on the whiskey cache of an old army buddy.
After their boss’ death, two clerks eagerly await the arrival of the next one, each one of them hoping to become the apple of his eye. They compete in every possible way to impress him, which causes lots of trouble and many misunderstandings.
