Love on the Reef

Although Parsha is the cricket team captain and the brightest student in his year, the beautiful and confident Aarchi is out of his reach. She belongs to a higher caste, her family is rich, and her father is a kingpin in local politics. But Aarchi is a headstrong girl who won’t let anyone boss her around – and she likes the persistent, brave Parsha. How will their families react? What happens to love when when two people have to sacrifice everything for it? Beyond the glamour of Bollywood, Sairat is an epic love story that takes a critical look at Indian society in the 21st century.

A man, a woman. A prison director, his inmate. An impossible love, a true story.

Raymond Lembecke is a con just out of prison after serving time for selling drugs for his mob boss Tony Vago. (Lembecke was innocent and took the rap for Vago.) Lembecke thinks Vago owes him big time so, when his former boss gets him a measly job in a warehouse, he decides on revenge and plans to steal a million dollars worth of drugs from him.

A man and woman share a telephone line and despise each other, but then he has fun by romancing her with his voice disguised.

Kellie Martin plays an accountant who submits a reply to a “dear viola” letter to the editor that she works for, as an accountant. She has a real knack for writing to people and getting to the heart of the matter, and soon the whole town is involved in the romantics.

When a self-appointed expert on love tries to teach a timid prince the art of seduction, the plan backfires, leading to scandal — and unexpected romance.

In New York City, a young writer’s unfaltering belief in true love is put to the test by a beautiful girl with a troubled past.

Kozo Nakase attends meetings for single widowers looking to remarry. He meets Sayoko Takeuchi and eventually marries her. Not longer after their marriage, Kozo Nakase suddenly collapses and dies. Kozo Nakase leaves everything to Sayako. The rest of his family are left out of his will including his daughter Tomomi. Tomomi hires a private investigator, Honda, to find out more about Sayoko.

For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

Ember Morley, a graphic designer and aspiring storybook illustrator in Manhattan is surprised when she learns she has inherited her Grandmother’s Christmas tree farm. She heads back to her hometown of Willow Hill in order to sell it before Christmas, but the charming townspeople convince her to stay a little longer and help plan their annual Christmas Tree Festival. When forced to work with Brandon Hart, the farm’s handsome caretaker, Ember is reminded of the things she once wanted in life.

King Louis XI is a wise and old king and Frollo is the Chief Justice. Frollo gazes on the gypsy girl, Esmeralda, in the church during Fool’s Day and sends Quasimodo to catch her. Quasimodo, with the girl, is captured by Phoebus, Captain of the Guards, who frees the girl. The courts sentence Quasimodo to be flogged, and the only one who will give him water while he is tied in the square is Esmeralda. Later, at a party of nobles, Esmeralda again meets both Frollo, who is bewitched by her, and Phoebus. When Phoebus is stabbed to death, Esmeralda is accused of the murder, convicted by the court and sentenced to hang. Clopin, King of the Beggars; Gringoire, Esmeralda’s husband; and Quasimodo, the bellringer, all try different ways to save her from the gallows.

Three very different people in their twenties try to figure out love, sex, identity and friendship in Los Angeles.