A young couple who collect rare folk ballads discover the dark side of love when they surreptitiously record and translate an ancient, taboo folk song from the deep, forgotten past.
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A haunting ghost story set against the backdrop of a busy winter sales period in a department store, following the life of a cursed dress as it passes from person to person, with devastating consequences.
THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history – The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.
Cassidy, the lead singer of a band, lives with her boyfriend and band member, Neal. Cassidy records the torment of her silent pain and suffering in a private journal. Thinking Neal does not love her, Cassidy is devastated and commits suicide. Neal, shocked and horrified, witnesses the suicide. Three months following Cassidy’s death, band members, Dora, Donny, Victor, and Neal visit Dr. Meso, a psychic, for answers. They question whether or not to continue recording their album with out Cassidy. After posing the question, Cassidy’s spirit overtakes Dr. Meso’s body. Cassidy addresses the band, and specifically Neal, before revealing four tarot death cards.
A psychiatrist uses virtual reality to probe the minds of three unsuspecting patients, unleashing horrific psychic forces in the process.
An anthology horror movie featuring four stories. Die Laughing is about a psychotic killer clown stalking a young woman. In The Horror Hostess a movie scream queen gets more than she bargained for when she is interviewed by a TV talk show hostess. The Bad Flower is a nature run amok tale, and The Hunt tells the story of an FBI agent investigating a series of brutal murders in a small town.
A hardware store employee’s first night on the job is disrupted by the discovery of a dead body and a duffel bag full of cash.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
Pin-up vixens vs. bloodthirsty zombies, set in post-apocalyptic Hollywood. Imagine a wickedly saucy by invitation-only stage show and posh private peeps in which your every fantasy can come true, fulfilled by the likes of luscious ladies imitating the sex goddesses of yore: Bettie Page, Jayne Mansfield, and Suzie Wong.
An internet broadcaster recruits a handful of people for their ‘experience the horror’ show at Gonjiam Psychiatric Hospital, a place selected as one of the ‘7 freakiest places on the planet’. They are to explore the haunted asylum and stream it live on their online show.