In this mind-bending drama, a recovering drug addict can achieve one year of sobriety alone on Christmas day, but his demons tempt him to relapse.
You May Also Like
When a covert mission to rescue a kidnapped CIA operative uncovers a chilling plot, an elite, highly trained U.S. SEAL team speeds to hotspots around the globe, racing against the clock to stop a deadly terrorist attack.
Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
Elise learns the martial art and combat sport Brazilian Jiu Jitsu to learn to defend herself, but she soon realizes that BJJ moves can also be used in passionate lovemaking.
When a human head is discovered, the paths of a female student, a cellist, an autistic teenager, a police officer, a prostitute, a teacher and a dog are found to be serendipitously entwined. Who caused the death? What is the motive? Where is the body? Attempts to answer these questions lead to keywords starting with the letter “G”. As the case is peeled back layer by layer, the complexity and desperation of the people living in Hong Kong today are slowly uncovered, and a suspenseful multifarious Hong Kong story is revealed.
At age 82, Mitch Albom’s former rabbi Albert Lewis wants the famous Detroit sportswriter to give his eulogy when the time comes. Albom makes a visit to his former home town in New Jersey, where Rabbi Lewis has served a congregation for about 50 years. Albom doesn’t feel worthy, especially since he is no longer a practicing Jew and, in fact, he has married a Christian (who apparently isn’t active either). Nevertheless, Rabbi Lewis says he is the one to do the job, and over the next eight years, Albom makes several visits back home and even attends some Sabbath services, where the good rabbi is determined to continue working and inspiring his flock even as his health declines.
A personal exploration into the life of America’s controversial former CIA Director told through the eyes of his wife and filmmaker son, Carl. Through extraordinary events in twentieth century history, this consummate soldier/spy stood at the center of the Agency’s most clandestine activities and operations. The film reveals the ‘cover life’ of this CIA operative, who followed orders and took on the dirtiest assignments until the Nixon Administration ordered him to ‘stonewall’ Congress about the CIA’s past abuses, but he refused. This film reveals why, for the first time, he could not obey.
A young kid (Pinkston) is forced to live out the lies he told to become popular.
Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.
Tim has no job, but Tim ‘works’, selling stolen goods…In the face of mounting internal and external pressure, how far will he go to keep his head above water and protect those he loves?
Actor / writer / director Erich von Stroheim stars as a fraudulent count, living high on the hog in Monte Carlo. He supports himself by extorting huge sums of money from silly married ladies who are dumb enough to fall for his romantic charms. Von Stroheim’s partners in crime, phony princesses Mae Busch and Maud George, live in a state of perpetual depravity with the count in a huge mansion. Their latest victim, played by an actress who insisted upon being billed as Miss DuPont, is the wife of an American financier. Von Stroheim’s attempted seduction of this particular foolish wife is thwarted at every turn, and the count ultimately gets his comeuppance.