A wife who feels suffocated by her husband’s incessant attention hires a psychologist to make him fall in love with her so that she can separate from him.
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Georgia and her boyfriend Sam go on a treacherous journey to escape their country, which is caught in an unexpected war with artificial intelligence. Days away from the arrival of their first child, the couple must face No Man’s Land—a stronghold of the android uprising—in hopes of reaching safety before giving birth.
The brutality of winter and the power of the mind are aptly portrayed in this dark comedy set in Northern Quebec. Bruce (Thomas Haden Church) is merely trying to survive a harsh winter when he meets Jean. Conflict leads to an accidental death, and Bruce finds himself in a complicated and unexpected place. Grappling with his guilt, Bruce creates a prison from which he cannot escape. Haden Church perfectly utilizes his comic talent in this wry, well-crafted film.
NANCY, PLEASE tells the story of Paul Brawley, a gifted PhD candidate at Yale University. Paul has just moved into an apartment with his pragmatic girlfriend, Jen, and is struggling to complete his dissertation before embarking on a career in academia. There’s just one snag: as Paul is unpacking his belongings, he discovers that something has been left behind. A seemingly inconsequential object, but one Paul feels is of great importance to his dissertation and, therefore, to his future: a battered, personally annotated hardcover copy of ‘Little Dorrit’ by Charles Dickens. He will have to retrieve it from his former roommate – the obstinate Nancy. As he becomes increasingly consumed with the retrieval of ‘Little Dorrit’, Paul’s relationship and career unravel.
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.
Arising out of the horror of the Spanish Civil War, a candidate for canonization is investigated by a journalist who discovers his own estranged father had a deep, dark and devastating connection to the saint’s life.While researching the life of Josemaria Escriva, the controversial founder of Opus Dei, the young journalist Robert uncovers hidden stories of his estranged father Manolo, and is taken on a journey through the dark, terrible secrets of his family’s past.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
Marc, in his 40s, is a professor of literature at the University of Lausanne. Still a bachelor — and still living with his sister Marianne in a huge, isolated chalet that they inherited when they were very young — he carries on one love affair after another with his students. Winter has almost ended when one of his most brilliant students, Barbara, suddenly disappears. Two days later, Marc meets Barbara’s mother, Anna, who wants to find out more about her vanished daughter.
In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her ‘work’ with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other – fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?
