Two thirteen year-olds have always been incredibly close but they drift apart after the intimacy of their relationship is questioned by schoolmates. An emotionally transformative and unforgettable portrait of the intersection of friendship and love, identity and independence, and heartbreak and healing.
You May Also Like
IT guru Libby gets more than she bargained for when, after losing her job, she reluctantly agrees to help a cop with fostering two abandoned kids.
Kathleen Turner stars as suburban mother and devout Catholic Eileen Cleary, who has always kept up appearances. When she runs for the Catholic Woman of the Year title at her local parish, her final test is introducing her family to the board for the seal of approval. Now she must finally face the nonconformist family she has been glossing over for years…
Charles Price may have grown up with his father in the family shoe business in Northampton, in central England, but he never thought that he would take his father’s place. Yet, the untimely death of his father places him in that position, only to learn that Price & Sons Shoes is failing. While in despair at his failed attempts to save the business, Charles has a chance encounter with the flamboyant drag queen cabaret singer, Lola. Her complaints about the inadequate footwear for her work combined with one of Charles’ ex-employees, Lauren, leads to a suggestion to change the product to create a desperate chance to save the business: make men’s fetish footwear. Lola is convinced to be their footwear designer and the transition begins. Now this disparate lot must struggle at this unorthodox idea while dealing both the prejudice of the staff, Lola’s discomfort in the small town and the selfish manipulation of Charles’ greedy fiancée who cannot see the greater good in Charles’ dream.
Two rival home shopping hosts are forced together while competing for a promotion. Along the way they find their on-air chemistry kindles an off-air spark.
When Johnny is released from prison following a forgery charge, he quickly lands a job as a short-order cook at a New York diner. Following a brief fling with waitress Cora, Frankie develops an attraction for Cora’s friend and fellow waitress Frankie. While Frankie resists Johnny’s charms initially, she eventually relents when her best friend, Tim, persuades her to give Johnny a chance.
As members of the feuding Capulet and Montague families, Romeo and Juliet should be sworn enemies, but they fall deeply in love and marry in secret. That very day, disastrous circumstances lead Romeo to fight and kill Juliet’s cousin Tybalt, setting off a chain of events that culminate in tragedy.
An interracial couple is attacked and the woman is gang-raped in a random attack. This prompts the woman to commit suicide and the man decides to seek revenge from the inside by joining the gang. However, once inside he learns of the reasons (poverty, social rejection) for their existence and starts developing a kinship until he is asked to kill someone to prove his loyalty.
The film portrays MacArthur’s (Gregory Peck) life from 1942, before the Battle of Bataan, to 1952, the time after he had been removed from his Korean War command by President Truman (Ed Flanders) for insubordination, and is recounted in flashback as he visits West Point.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
When a suspicious death remains unsolved, three boys suspect a reclusive Indigenous man named Bobby (Kelton Pell) and relentlessly harass him until one of the trio breaks the toxic cycle to make amends.
Frank is a man who thinks he has lost everything, until his house is destroyed by a tornado. Then when he goes to the insurance company, he’s told they won’t pay because the damage falls under the “Act of God” exclusion in his policy. With nothing left, and nothing left to lose, he decides to sue God himself for damages, naming representatives of the world’s religions as defendants in the suit. What starts as a ridiculous stunt, becomes a beautiful, funny, soulful odyssey in which he rediscovers that love itself… requires a leap of faith.
