Fighter Pilot: Operation Red Flag

The story of Nicholas Sand and Tim Scully, the unlikely duo at the heart of 1960s American drug counter-culture.

Haunted by the suicide of a brother, a director and his kin walk across the UK in an emotionally trying, visually sublime journey toward healing.

The New Yorker is the benchmark for the single-panel cartoon. This light-hearted and sometimes poignant look at the art and humor of the iconic drawings shows why they have inspired and even baffled us for decades. Very Semi-Serious is a window into the minds of cartooning legends and hopefuls, including editor Bob Mankoff, shedding light onto how their humor evolves.

Gromit finds himself being pushed out of his room and home by a new lodger who is actually a ruthless criminal (and a small penguin). The penguin is planning a robbery and needs to use Wallace and his mechanical remote controlled trousers to pull off the raid. However, Gromit is wise to the penguin and comes to the rescue.

More people are imprisoned in the United States at this moment than in any other time or place in history, yet the prison itself has never felt further away or more out of sight. This is a film about the prison in which we never see an actual penitentiary. The film unfolds a cinematic journey through a series of landscapes across the USA where prisons do work and affect lives, from an anti-sex-offender pocket park in Los Angeles, to a congregation of ex-incarcerated chess players shut out of the formal labor market, to an Appalachian coal town betting its future on the promise of prison jobs.

When Sarah accidentally proposes to her girlfriend in Provincetown, she finds herself at odds with her partner’s expectations of their future. The mixup sends both women on different journeys of marital exploration.

Describing herself as a ‘street queen,’ Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.

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Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early ’70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.

Manifest: The Chryzinium Era is a 2017 American science fiction short film drama, written, directed and produced by Rick Lord, Phillip Wade and Tim Wade, in which Madison and her father are outcasts in a society ruled by an alien civilization. Survival is becoming more difficult, forcing Madison to make a decision that will change her life forever. The film stars Phoebe Jacobs, Rick Lord and Tim Wade.

Johnny Cash: American Rebel is built around 12 essential Johnny Cash tracks spanning four decades that each deliver the passion, musicality and messages against war, injustice, racism and prejudice, including “Folsom Prison Blues,” “Jackson,” “San Quentin,” “Man in Black,” “Sunday Morning Coming Down,” “Ring of Fire” and “Hurt.” Each song illustrates a chapter in his life, as well the story of an ever-changing America from the 1950s to modern day, as told through interviews, archival concert footage, photographs and personal artifacts from the Cash family.

The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.