A live action and CGI retelling of the beloved tale of a wooden puppet who embarks on a thrilling adventure to become a real boy. Other characters include Geppetto, the woodcarver who builds and treats Pinocchio as if he were his real son; Jiminy Cricket, who serves as Pinocchio’s guide as well as his “conscience”; the Blue Fairy; “Honest” John; Sofia the Seagull and The Coachman.
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In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
Ostracized at her posh new uptown school and shaken by the death of her beloved grandmother, a 10 year-old downtown girl finds an unlikely mentor in the form of an irascible chess-master, who uses the game to teach Max lessons in resilience, perseverance, and how to embrace inevitable change.
When a magic helmet thrusts Nolan Parthmore into a world of modern-day knights fighting supernatural evil, he’s forced to become the hero he was destined to be.
With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.
A neurotic film critic obsessed with the movie Casablanca (1942) attempts to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.
A narrative feature film inspired by the events known as the Beltway sniper attacks.
The film opens with Shaymin as Dialga appears. Then, in the Reverse or Distortion World Giratina senses Dialga’s presence, and flies up to the Real World to capture him. Dialga drinks, just as Giratina’s portal opens up. Giratina then drags Dialga into the Reverse World. Shaymin is also catapulted into the Reverse World. As Dialga and Giratina fight, Zero observes the battle in his ship. Shaymin absorbs a dark gas and uses “Seed Flare,” tearing a hole in the Reverse World and escaping. Dialga fires a laser at Giratina, enveloping her in a time loop and trapping her in the Reverse World. As Dialga escapes, Shaymin falls into a river.
Robert Redford stars as billionaire John Gage, who offers a down-on-his-luck yuppie husband (Woody Harrelson) $1 million for the opportunity to spend the night with the man’s wife (Demi Moore).
Seagal is Nico Toscani, an Italian immigrant, American patriot, ex-CIA agent, aikido specialist, and unorthodox Chicago policeman. He is as committed to his job as he is to his personalized brand of justice: expert and thorough bone-crushing.
